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藝術學院
美術學系
學位論文
學位論文
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http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/113858
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search.filters.author.楊盛錩
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search.filters.author.Yang ,Sheng-Chang
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search.filters.subject.aesthetics
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search.filters.subject.Chinese Ink Paintings
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search.filters.subject.Fu- Lu
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search.filters.subject.icons
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search.filters.subject.spirits
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符籙美學-符籙的符號、象徵與圖像之創作
(
2005
)
楊盛錩
;
Yang ,Sheng-Chang
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「符籙」,是中國特有的一種巫術文化,具有神聖的象徵意涵與心靈圖像;更蘊含著不可解說的玄學意義,經由道士長期施用與道家的論述,已經形成一系列的符碼系統,這一系統,以信仰為基礎,被運用來治病、祈福、鎮災、解煞、求財等,是一龐大而又神秘的道家符碼系統,這個符碼系統,以書寫與圖像為主,孕藏強烈的道家思想,具有神秘、不可解、未知與玄學的情境。 本文藉由「符籙」的圖像與符碼,試驗水墨創作中可表現的多元面向,以一系列藝術理論為論據,強調創作的觀念、意境、形式與技法,並以「符籙文字的神聖性」、「符籙圖像的象徵性」及「符籙儀軌的通靈性」三種觀念為出發,反省本土文化與國際思潮的相容性,進而將式微的本土文化,建構出台灣本土另一種新的訊息符碼,並試圖從中國「符籙」的素材中,加以運用水墨、水彩、膠彩、蠟筆等媒材的實驗來表現,並開發出一系列可以欣賞、可以閱讀,且耐人尋味的「符籙美學」創作。
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