Concentric: Studies in English Literature and Linguistics

Permanent URI for this collectionhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/219

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    Trying to Grow Out of Stereotypes: The Representation of Disability, Sexuality and the “Modern” Disability Subjectivity in Firdaus Kanga’s Novel
    (英語學系, 2018-03-??) Rimjhim Bhattacherjee
    Firdaus Kanga’s novel, Trying to Grow, tells the story of Brit Kotwal, a young Parsi boy with osteogenesis imperfecta, negotiating his life in the Bombay of the 1970s. From the beginning, this semi-autobiographical work draws our attention to the common religious and medical perceptions of disability in Indian society. This paper proposes to study how the novel focuses on several aspects of the lived reality of a person with “brittle bones” who does not grow more than four feet tall. The paper also explores how the novel focuses on and confounds the commonly perceived notion of the asexuality of disabled individuals. Brit’s voice is extremely aware and articulates positions of difference within disability and sexuality discourses. He is able to occupy what can be called a truly modern disability subjectivity. But, this paper shall show that Brit presents the reader with this modern, emancipatory rhetoric of disability because of the privileges of his gender and class status in the Indian context. Within the same text, Brit’s disabled female cousin is literally andfiguratively mute and meets with a very different fate. The paper shall thus investigate and try to complicate the representation of disability, sexuality and the “modern” disability subjectivity in Kanga’s novel.
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    The Uses of Brevity: Valuing the “No More to Be Said” in Jean Echenoz’s Plan of Occupancy and the Transcontinental “Critical Novel”
    (英語學系, 2013-09-??) Thomas Phillips
    This paper examines the value of brevity in contemporary French novels, particularly Jean Echenoz’s Plan of Occupancy, in relation to the broader context of transcontinental fiction. Its central claim is that the stylistic minimalism of such fiction informs a “minoritarian” subjectivity that has both aesthetic and political implications. Additionally, I discuss, in brief, other texts that are central to this issue including Don DeLillo’s The Body Artist, an example of an American novel that not only limits itself to a page count far below the average in American fiction, but presents a style that is indicative of precisely the kind of minimalism that is accepted and, indeed, celebrated by DeLillo’s French contemporaries.