張隆延書學理念

Abstract

本論文嘗試了解 書道藝術的本質以及討論以書道進行跨領域的可能性。

書道藝術包含時間以及空間藝術特質，張隆延提出書道四度元空間，可運用此概念將書道有形和無形的空間感，透過設計或者文創產業將書道藝術進行跨領域結合。首先，先釐清書道藝術的本質，書道的特色具有「有常形」和「無定象」，結合書道四度元理論中提出書道的空間與時間性，導出張隆延書道的總體藝術理念。

本論文研究方法以（一）專書論文、（二）訪談法和（三）資料蒐集。專書論文的部分以歷史博物館出版的張隆延書法作品集和書論為主，加上西洋藝術史和歌劇史中「總體藝術」的概念來了解張隆延所謂的「書道總體藝術理念」。訪談法的部分，共分為張隆延的學生，像是張清治老師，現代的學者，訪談他們了解張隆延的經歷、為人以及書學思想；除此之外，在附錄的部分有張隆延的書法作品以及張隆延在美國上課的一些紀錄，還有一些早期和張隆延相關的報章資訊。

本論文的研究成果，透過訪談以及資料蒐集蒐錄張隆延書法作品和一些第一手的上課紀錄，可供未來對張隆延有興趣做更深入研究。在張隆延書道總體藝術理念的部分，論文成果屬於初探，其研究須遵守學術規則和跨領域的限制性，目前仍屬於實驗階段，書道為總體藝術思想目前仍是一個理想。This thesis explores the essence of calligraphy art and discusses the possibility of cross-cutting calligraphy. The calligraphy art includes the artistic nature of time and space. Chang Leong-Yien has proposed the concept of a four-dimensional calligraphy. The concept allowed us to integrate the tangible and intangible senses of space in calligraphy, and promoted the cross-cutting calligraphy through the design or the cultural and creative industries. First of all, it is crucial to clarify the nature of the calligraphy art. Calligraphy carries special features of "have often shaped" and "of no fixed as," and the thesis uses the Four Dimensions theory of Calligraphy to discuss the space and temporality in the art of calligraphy and explores the calligraphy overall artistic concept proposed by Chang Leong-Yien. This thesis consists of three research methods: (a) book chapters, (b) interviews (c) data collection. The thesis studies Chang Leong-Yien’s calligraphy works and books, and seeks to understand his so-called " calligraphy overall artistic concept " by exploring the overall concept of the art "in the history of Western art and opera history. Interviews in the thesis included students of Chang Leong-Yien, such as Mr. Chang Ching-Zhi, and modern scholars, as they discussed Chang Leong-Yien’s experience, personal traits and thoughts on the calligraphy art.The appendix section also includes Chang,Leong-Yien’s calligraphy collections, records of his classes in the United States, and news coverage about him in the early years. The research result, data collection and calligraphic works of Chang Leong-Yien, as well as first-hand record of his teaching in classes, will serve as a reference for in-depth research of the artist in the future. The thesis is a preliminary study of Chang Leong-Yien, and follows academic rules and cross-cutting research, which is still in an experimental stage. Calligraphy as the overall artistic thought remains an ideal goal.