劉德海《金色的夢》音樂分析與研究

Abstract

劉德海一生致力於琵琶音樂藝術研究，具有獨特的創作理念與自身體會的哲理，包括「正反彈」指法，與「金三角」、「中和」、「剛柔並濟」等音樂觀。秉持對於音樂創作嚴謹的堅持，經歷無數改編、移植國外樂曲、新編古曲的歷練，在自身悟出的音樂觀與教育觀的基礎上大膽改革和創新，相繼創作了《人生篇》、《田園篇》、《宗教篇》及尚未出版等琵琶作品。 本研究的目的是分析琵琶演奏家、教育家、作曲家劉德海先生作品的創作特色，透過實際演奏釐清詮釋概念。此作品為「田園篇」當中的《金色的夢》，在蒐集資料、分類、歸納、音樂分析、訪談等方法中，整理劉德海先生的個人背景與理念，研究「田園篇」中的音樂藝術價值，分析《金色的夢》結構與詮釋，歸納音樂觀與教育觀的個人哲學如何運用在作品當中。

Liu De-Hai devoted his life to the study of pipa music art. He had unique creative ideas and experience, including"playing the way in positive and negative" fingering, "Golden Triangle", " Neutralizationand " "Rigid and Soft" music concept. Adhering to rigorous in music creation, he had experienced countless adaptations, transplants of foreign music and new arrangements of ancient music. Based on his understanding of music and education, he carried out bold reforms and innovations, and successively created "The Life", "The Pastoral", "The Religion" and unpublished Pipa works. The purpose of this research isto analyze the creative characteristics of Liu De-Hai, a pipa player, educator, and composer, and to clarify and interpret concepts through actual performance. This work is the"Golden Dream" in "The Pastoral". It sorts out the personal background and philosophy of Mr. Liu De-Hai in the methods of collecting materials, classification, summarization, music analysis, and interviews. Study the musical artistic value in "The Pastoral", analyze the structure and interpretation of "Golden Dream", summarize how the personal philosophy of music and education is used in the work.