萱月春暉-陳秀玉書法創作論述

dc.contributor程代勒zh_TW
dc.contributorCheng, Dai-Leen_US
dc.contributor.author陳秀玉zh_TW
dc.contributor.authorChen, Hsiu-Yuen_US
dc.date.accessioned2020-12-10T02:47:30Z
dc.date.available2018-07-05
dc.date.available2020-12-10T02:47:30Z
dc.date.issued2018
dc.description.abstract本研究主要是藉由筆者對母親思念的感受,以情感導入創作的發想,轉化為創作的動力,並深入探討書法創作的意涵,以求變的「現代書法」為借鏡,在現代與傳統的混沌狀態下,融入個人情感,游離出新的創作意念,付諸實踐的創作過程,呈現屬於自身的書法樣貌。 書法藝術為我國的傳統文化,將以保有傳統的漢字書寫特質為首要,參照著前輩書家「汲古出新」的創作觀,並歸納「現代書法」在情感表現上的時代趨勢,融入個人書寫經驗,再實踐於創作作品上。在創作的技法的運用上以線條、質量、節奏、造形及空間表現為主,參考前輩書家的經驗,以「無意」、「無法」、「隨興」的模式,強調「創作就是跟著感覺走」。 本研究是以情感導入於書法創作為基礎,經過實際的創作過程,歸納如下:一、創新要立足於傳統。二、「現代書法」是創新藝術或是傳承文化,取決於未來發展的走向。三、古人的書法療癒,是可被證實的。筆者透過本次創作研究,將過去所學的理論基礎,建構出全新的個人風貌,找到未來努力的方向,期能立足於傳統,創新於未來。zh_TW
dc.description.abstractThis study is mainly based on the my feelings of missing my mother. Emotional feelings lead to the inspiration of creation, which converted to the motivation of creation. It also deeply explores the meaning of calligraphy creation. By taking the innovative "modern calligraphy" as a mirror, it integrates personal emotions and releases new creative ideas in modern and traditional mixed chaos. It also shows the creative process of putting those into practice and presents its own calligraphy style. Calligraphy is our country's traditional culture. The primary point is to preserve the characteristics of traditional Chinese writing. With reference to the creation view of “Referring to the Old and Creating the New ” from senior calligraphers, it summarizes the contemporary trends of emotional expression in “modern calligraphy" as well as integrates personal writing experience and practices on creative works. I used lines, quality, rhythm, shape and spatial performance as main techniques in creation. With reference to the experience of senior calligraphers, it emphasizes that “creation follows the feelings” with practicing the way of "unintentional," "unregulated" and "spontaneous". This study is based on the emotional introduction of calligraphy creation. After an actual creative process, it is summarized as follows: 1. Innovation must be based on tradition. 2. Rather "Modern calligraphy" is an innovative art or cultural inheritance, is depended on the direction of future development. 3. The healing effect of ancient calligraphy is verifiable. Through this creative study, I have constructed a new personal style based on the theoretical basis that she has learnt in the past. And I have found the direction that I will work on for future, which is innovating future by relying on tradition.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierG0004603127
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0004603127%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114417
dc.language中文
dc.subject書法zh_TW
dc.subject現代書法zh_TW
dc.subject線條zh_TW
dc.subject以書入畫zh_TW
dc.subject以畫輔字zh_TW
dc.subjectCalligraphyen_US
dc.subjectModern Calligraphyen_US
dc.subjectCalligraphic linesen_US
dc.subjectCalligraphy paintingen_US
dc.subjectPainting assistant calligraphyen_US
dc.title萱月春暉-陳秀玉書法創作論述zh_TW
dc.titleXuan Yue Chun Hui(meaning maternal love) - Hsiu-yu Chen 's Calligraphy Creationen_US

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