社會權力中的灰色世界--高甄斈墨彩創作論述
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2016
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Abstract
本創作研究從社會現象的觀察出發,探討社會中的人在權力之下的存在方式。
第二章中,以「當下存在的『真實』」、「虛擬的權利」、「輪迴中的矛盾」三節呈現現實與非現實之間的權力轉換關係,而所選擇的創作圖像,在此有了對應的文化背景。第三章將壓迫與被壓迫的現實、真實與非真實的世界,以壓縮的灰暗意識來呈現,也就是說,透過「泡沫化的未來」描述年輕世代存在的焦慮感,在「真實與非真實的灰色世界」表現真實之中的虛假、虛假之中的真實,最後於「灰色劇場的意識轉變」中,用作品系譜呈現此一現象所凝聚的灰暗意識,以及灰暗意識的轉變方式。
在第四章,權力的壓迫和被壓迫所引起的世代衝突,以孔雀的多重擬仿重新詮釋,因此,孔雀與創作者之間的形象幻想,讓圖像的權力意識開始轉變,重新建構「真實」的世界。創作模式方面,「碎形」的循環,將圖像、權力意識的「輪迴」空缺,以新的方式替補,創作方法上,覆貼及金屬性材料的多重運用,使光線帶來的不穩定性色彩,在圖像的幻化以及材料的層層遮掩中,艷麗地架構現實與非現實的空間,讓人沉浸在謎語般的幻境。
於此,本研究以孔雀圖像為創作主體,探討社會權力關係與個人的生存狀態,關注社會權力的階層關係,鎖定筆者的矛盾心理,面對世代差異帶來的爭論現象,試圖從自身的曖昧處境,揭開可能的自處方式。
This creation research starts from observing social phenomena, discussing how people live under social power. In chapter two, I present the power-changing relationship between reality and unreality by the three parts “instant reality”, “virtual right”, “reincarnated paradox” and the created images are related to a certain cultural background. In chapter three, I present the oppressing/oppressed reality and real/unreal world with compressed dark consciousness. That is to say, I convey the anxiety of the young generation by the future bubble and the intertwining reality/unreality in “real/unreal gray world”. Last, I show the dark consciousness and its changes cohering by the phenomena with the discography in the part of “consciousness changing in grey theater”. In chapter four, the focus is the generational conflict. I re-interpret this issue with multi simulations of peacocks. The imagined image between the creator and the peacocks changes the power consciousness of image, and re-builds “reality”. As for the pattern, the cycle of “factual image”, substitutes the “reincarnated” gap of the image and power consciousness. For methodology, paste and multi-use of metals make the unstable coloration by light variation. While transforming the images and covering with layers of materials, I build a space between reality and unreality, immersing in the fairy land of mystery. This research mainly deals with the creation of peacock image, discussing the relationship of social power and personal existence, concerning the hierarchy of social power, aiming at the paradox of creator, facing the debate of generation gap. I try to locate a possible way to live with from the ambiguous living condition of myself.
This creation research starts from observing social phenomena, discussing how people live under social power. In chapter two, I present the power-changing relationship between reality and unreality by the three parts “instant reality”, “virtual right”, “reincarnated paradox” and the created images are related to a certain cultural background. In chapter three, I present the oppressing/oppressed reality and real/unreal world with compressed dark consciousness. That is to say, I convey the anxiety of the young generation by the future bubble and the intertwining reality/unreality in “real/unreal gray world”. Last, I show the dark consciousness and its changes cohering by the phenomena with the discography in the part of “consciousness changing in grey theater”. In chapter four, the focus is the generational conflict. I re-interpret this issue with multi simulations of peacocks. The imagined image between the creator and the peacocks changes the power consciousness of image, and re-builds “reality”. As for the pattern, the cycle of “factual image”, substitutes the “reincarnated” gap of the image and power consciousness. For methodology, paste and multi-use of metals make the unstable coloration by light variation. While transforming the images and covering with layers of materials, I build a space between reality and unreality, immersing in the fairy land of mystery. This research mainly deals with the creation of peacock image, discussing the relationship of social power and personal existence, concerning the hierarchy of social power, aiming at the paradox of creator, facing the debate of generation gap. I try to locate a possible way to live with from the ambiguous living condition of myself.
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水墨創作, 權力, 仿真, 複貼, ink painting creation, power, simulation, paste