母體、母性 女性「生育體驗」之繪畫創作研究

Abstract

本研究從自身懷孕之經驗出發，以生物學、社會心理學探究母性，展現創作的多面向表現形式，接著將女神信仰與先民的生殖崇拜符號帶入創作中，研究內容專注於主題觀念與隱語符號代表意義上力求相輔相成，再藉由美學理論與西洋女性藝術家卡莎特、卡蘿與臺灣女性藝術創作者謝鴻均的創作中去剖析對自身創作的影響與關連性。 題材立意帶動情感依據，作品的內容及形式方能有所依據、有所歸趨。美學架構是創作內涵的語彙，是自身生命經驗美感的返照。構圖與經營位置影響創作整體的氣氛營造，決定創作者內心意象的鋪陳。空間布白的運用可以是一種色彩的運作，也可以是空間與時間轉換的關鍵。用色則能成就作品的完整也可以形成關鍵性的焦點。水墨材質肌裡與皴法的再探是此研究的另一要點，嘗試融合傳統筆墨變化與特殊技法，去拓展另一種皴法肌裡的可能性。

On the basis of biology and social psychology, this paper study the maternity with personal giving birth experience to show various creating styles. The study focuses on the complement of symbol meanings to the theme idea following with integrating the belief in goodness and ancient reproduction symbols into art creations. Through the aesthetic theory and the study on creation works of western female artists Cassette and Carol and Taiwanese female artist Hsieh Hung Chun, this paper further analyzes the impact on creators themselves.

The aesthetic framework of creation reflects the creator’s life experience and beauty. Likewise, the subject matter drives the feelings in accordance with the intent for creation. The design and placement of the painting foreshadow the creator’s imaginary and have a great influence on the overall atmosphere of art creations. The manipulation of white space is deemed a color application and the key to switch spaces and times. In addition, the coloring is a crucial factor to create an attractive art piece. The discussion of the texture of ink painting material and wrinkle technique is another point for this study. The creator attempts to combine traditional method of ink painting with specific skills to develop a new wrinkle technique.