費爾南度‧波特羅(Fernando Botero,1932-)的藝術研究

Abstract

哥倫比亞藝術家費爾南度‧波特羅(Fernando Botero )，以其特殊的造型風格成為國際級的藝術家，他塑造出頗具個人風格的特徵，以其肥胖(obesity)、變形(deformation)、反比例(anti-proportion)、反透視(anti-perspective)、及詼諧(comicality)的外形引人注意。

在大家向前衛藝術靠攏之時，波特羅卻選擇回到早期義大利文藝復興時期的藝術及拉丁美洲的民俗藝術，並且將文藝復興前輩大師的繪畫技巧轉化成為自身的繪畫特徵，因而造就出如此獨一無二的壯碩型體，也成為波特羅的繪畫印記。

而波特羅並非以回到傳統為目的，他更吸收部份前衛藝術養分，因此，帶有特殊語彙的繪畫才是波特羅的真正追求，他就是要創造出獨具風格的「波特羅式」藝術繪畫表現為目標，現今，他仍以這些頗具個人特色的風格享譽國際。Colombian Artist Fernando Botero becomes the international artist which by its special modeling style. He makes quite individual and characteristic style. And he is famous for the obesity, deformation, anti-proportion, anti-perspective,and comicality in his art.

When everyone is close to the avant-garde art, but Botero chooses to return the early Renaissance in Italy, and the folk art in Latin America. He takes the Renaissance master's drawing skill to transform into his own drawing characteristic, and he creates massive characters uniquely. It becomes the mark of Botero.

But it is not Botero’s aim of returning to tradition, he also absorbs a part of the avant-garde art. Therefore Botero’s ambition is to make a special symbol in his paintings, in other words, he want to creates unique “Boteroque” painting style. Today, he is also famous for it in the world.