林心蘋二胡協奏曲《密祉》之分析與詮釋

Abstract

林心蘋為近年活躍於臺灣的作曲家，近年來累積了大量的作品，其中有三首作品為二胡協奏曲，《密祉》一曲是最多人演奏的，這首作品於2015年首演之時，筆者正於小巨人絲竹樂團中擔任團員，此次亦是筆者首次參與該團的演出，因此《密祉》一曲在筆者的腦海裡留下了深刻的印象，也激發筆者想研究這首作品的動機。關於本文之研究，筆者將分為三個部分進行文獻探討：第一部分為《密祉》演出影音資料，針對同為小巨人絲竹樂團伴奏的三個演出版本，比較相互之間的詮釋差異，並建構出樂曲的基本詮釋架構。第二部分為林心蘋相關之文獻，透過現有關於林心蘋之論文，從中了解林心蘋的音樂歷程、創作手法與理念。第三部分為《密祉》一曲所使用之素材《小河淌水》和《猜調》之相關文獻，筆者根據搜集之資料，對於《小河淌水》之作曲家生平、創作背景、曲式結構及發展進行詳細論述；《猜調》一曲以掌握其藝術特點及呈現其音樂風格為主。透過本研究，可以瞭解林心蘋的創作手法及理念，對於《密祉》一曲的創作背景及手法也有更清晰的理解。從研究中亦可以發現林心蘋在創作器樂作品上擅於展現樂器之特點，在演奏技巧上也有一定的難度，因此，在演奏林心蘋的作品時，對於演奏者而言，是一種自我挑戰的過程。Hsin-Pin Lin is a composer in Taiwan who has composed many works for various instruments in recent years. Three of her works are Erhu concertos, and “Mythical Wonderland” is the most popular among them. “Mythical Wonderland” debuted in 2015; I played for the debut with the members of Little Giant Chinese Chamber Orchestra. It was my first time playing for them. This concerto therefore leaves a vivid impression in my mind, which urges me to study further.This thesis is divided into three sections. In section one, I examine three performances of “Mythical Wonderland” done by the Little Giant Chinese Chamber Orchestra. I further investigate their different interpretations of the concerto and come up with its basic interpreting structure. Next, I research into the studies about Hsin-Pin Lin. I learn about Lin’s backgrounds, creativity, and her philosophy and technique of music composition in the process. In the last section, I probe into another two works, “Xiao He Tang Shui” and “Cai Diao,” that contribute certain musical elements to the concerto “Mythical Wonderland.” Firstly, I analyze the background of the composer and the structure of this work. Furthermore, I explore how “Xiao He Tang Shui,” and “Cai Diao” were used in this work.By reading this thesis, one can understand not only Lin’s philosophy and technique of music composition, but also the backgrounds of “Mythical Wonderland.” This thesis also found that, Lin is excellent in utilizing the characteristics of different instruments when composing musical works. Performers may therefore find it difficult to play them, but they will grow eventually by taking the task of playing Lin’s musical works.