《微境觀》—微花蔓草的再現創作研究

Abstract

本論文研究脈絡將創作者主體以繪畫媒介再現外部現實客體的狀態，統分成：身體、心智、自我、精神四大領域。事實上這四大領域是互為交互作用影響的，身體的視覺感官如何啟動心智中意識感知與記憶，大腦的理性思維與感性直觀，經由對於客觀世界理性的判讀造就繪畫藝術三維透視法，忠實再現現實事物；東方究其文化脈絡，側重內觀思維，感性直觀於客體世界常有超越表象的觀點，反映於繪畫藝術有散點透視、反向透視及層疊空間的深層面向思維。描繪植物與內在觀照的互動關係，是研究理論的實踐，創作中「心」與「物」在藝術活動中如何交融，並達到精神層面的提升，整個過程自我經歷認識自己與洗滌的過程。藝術家以自然植物表現心靈的依歸，選擇不具傳統象徵性植物符號的雜草野花，避免觀者若入慣性思維解讀，而能重新觀照真實的「自然」之美。

《微境觀》以微花蔓草為創作主軸展開靜觀沈思，透過「微」場域進行再現研究。再現內容除了描摹現實，心智的投入使得心像、記憶、移情等隨著再現內容而發酵，展現出系列創作四大主題：蕨草、野逸、荷隱、寂照，以主題式開展境觀思維的生命哲思與美學探索。The research context of this thesis divides the creator subject to reproduce the state of the external reality object through the medium of painting, and divides it into four areas: body, mind, self, and spirit. In fact, these four fields interact with each other. How does the visual sense of the body activate the conscious perception and memory in the mind, and the rational thinking and perceptual intuition of the brain, through the rational interpretation of the objective world, create the three-dimensional perspective method of painting art, faithfully Reproduction of real things; Eastern studies its cultural context, focusing on inner thinking, perceptual intuition in the object world often has a point of view beyond appearance, reflected in painting art with scatter perspective, reverse perspective and layered space deep oriented thinking.Depicting the interactive relationship between plants and internal observation is a practice of researching theory, how the "mind" and "object" in the creation are integrated in artistic activities, and achieve spiritual improvement. The whole process self-experiences the process of self-knowledge and washing. The artist uses natural plants to express the spiritual dependence, choosing weeds and wildflowers that do not have traditional symbolic plant symbols, so as to avoid the viewer's habitual thinking and interpretation, and to re-consider the real beauty of “nature".

"Micro-environment reflection" takes the little flowers and vines as the main creative axis to conduct contemplation and meditation, and conducts reproduction research through the "micro" field. In addition to depicting reality, the reproduction content makes mental images, memory, empathy, etc. ferment along with the reproduction content. There are four major themes in the series creation: Fern grass, Wild free, Secluded lotus, and Stillness. These four major themes carry out the creator’slife philosophy and aesthetic exploration of environmental thinking in a thematic way.