忘却的記憶—劉柏辰繪畫創作研究

Abstract

記憶，像是陳述著一段故事，有如時空片段的重建與再現，而不是對於某個事件精確紀錄的讀取過程，是一種獲廣泛共鳴的集體經驗，透過現實世界外在條件的感官刺激下，轉換為內在意識的過程，進而產生一種觸發記憶圖像的導引媒介，呈現一種將過往所發生的事件重新在限於現實，卻又以熟悉與陌生之間的片斷性記憶再度浮現。

此系列筆者選擇以多元形式繪畫手法，呈現記憶中真實的抽象殘片完成系列創作，透過攝影圖像的擷取並運用主觀情感中的記憶狀態重組結合，模擬記憶過程中的紀錄與想像中的主觀真實，然而實際的記憶狀態中也帶有一種無法預期的偶然相遇，隨著時間催化下逐漸的模糊、淡去，覆蓋了曾經的事實真相，在靜默無聲的過程中悄悄剝奪了曾經的存有。因此，希冀透過創作的方式去保存一段將消逝的種種「真實」，紀錄著一段屬於個人對於記憶的理解與想法。這段實踐不僅是梳理其個人創作脈絡與自身時代意義的釐清過程，同時也探究繪畫與影像之間的表達語彙中，如何找到屬於自己的觀看方法反應於創作。

創作表現的題材，以記憶中的真實形象過程作為發展開端，畫面的圖像構成也藉由老照片、虛擬影像元素與複合性材質等並至結合，並嘗試建構出多元形式的視覺呈現，紀錄一段暫存逝去的個人記憶。"Memory" is like stating a story, like the reconstruction and reproduction of space-time fragments, rather than the reading process of an exact record of an event. It is an extensively resonating collective experience, through sensory stimulation of the external conditions of the real world. Next, it is converted into an intrinsic consciousness process, which in turn produces a guiding medium that triggers memory images, presenting a re-emergence of events that occurred in the past but reemerging with fragmentary memories between familiarity and unfamiliarity. In this creative method, the author chose to use multiple forms of painting techniques to present the abstract abstract fragments in the memory to complete the series of creations. As the author grew up in the 1990s and grew up in the age of online digital technology, in this dramatic experience, It is bound to have a sensitivity to the characteristics of the entire era, and this change is bound to be affected to a considerable degree in the field of art. For the writer, it is not only a process of sorting out his personal creation context and the meaning of his own time, but also exploring painting and photo images. In the field of performance, how to find your own viewing method is reflected in creation. On the theme of creative performance, the process of human memory and image is taken as the beginning of development. The image composition of the screen is also combined with old photographs, virtual image elements and composite materials, and tries to construct a visual representation of multiple forms. A temporary memory of personal memory.