意隨心轉 － 色彩與線條的繪畫性表現研究

Abstract

藝術是自我內心的顯影，藝術家藉由創作，將個人主觀的情感與外在客觀的情境做一連結，並以最適當的形式及技法，表達出心中的意象。在創作的形式上，筆者選擇了油畫、壓克力及各種不同的打底劑為創作媒材，並以抽象及半抽象風格為主要的表現方法。在畫面中，使用了西方的色彩及中國的書法、水墨線條，造就一個屬於東方意境的心靈空間。至於內容的選擇上，多半是藉景寫情，其中包含了荷花、池塘、船、鄉情、城市、季節等自然及生命的意象，來表達內心多樣的情感。在本論文的架構上可分為以下幾個章節： 第一章：序論，說明主題研究的動機與目的，主題的內容與方法，研究的範圍 與限制。 第二章：探討抽象藝術的發展與型態，色彩運用的演變及特色，「線條」在中 國書法及中國水墨畫中的表現方式，以及在西洋繪畫中的使用方法， 並在意境上探討「簡化」與「禪」的精神性。 第三章：闡述個人的創作理念，論述個人主觀的用色方法，線條表現及抽象思 維。 第四章：闡述格人創作風格、創作形式、表現技法，使用媒材及創作過程。 第五章：作品解析，針對筆者的個別作品來分析探討，延伸對主題的論述，並 藉此研究接續過去的創作歷程，對抽象性繪畫的色彩及線條進行更深 入的了解。 第六章：結論，經由論文的撰寫及創作過程，再次整理自我的認知及方向，做 為未來創作發展的省思。

Artists express their images at heart. They associate their subjective feelings with objective environments and express their own images through suitable forms and techniques. In terms of forms, the author chooses oil painting and various acrylic paste as media for creating his work in abstract and semi-abstract style. He employs Western idiom of color and Chinese idiom of lines of calligraphy and ink& color painting, building an oriential realm of aesthetics. In the selection of contents, the author expresses his true feelings by various topics, including lotus, ponds, boats, seasons and nature and life image. The thesis is structured in six chapters： Chapter One： Describes the purpose, methodology, the scope and the limitation of the study. Chapter Two： Reviews the development and the modes of abstract art, the evolution of the use of color, and the lines of Chinese calligraphy and ink& wash painting. The author indicates his method of using these lines in Western painting and discusses the spirit of “simplification” and “zen” in the realm of aesthetic beauty. ChapterThree：The author conveys his concept of creation, discusses his subjective use of color and lines, and addresses his thought on abstract art. Chapter Four：Illustrates the style, the forms, techniques, media and the process of creation. Chapter Five：Analyses each work and extends the topic discussion to his past experience of creation, making further points on the color and lines of abstract art. Chapter Six ：The author addresses how he refreshes his self-awareness and the direction of artistic creation through finishing this whole project, which lays the foundation for his future performance on Western painting.