蕉林覓境．島嶼溯源－李秀豪水墨創作論述

Abstract

本論文題目為《蕉林覓境．島嶼溯源》，創作靈感來自福爾摩沙生態島生活上的觀察和體悟，從而在生活中找到逆向思考的趣味，以自然環境的元素來創作和探討現代社會現象，研究體現進而轉化為圖像視覺語言，進入作品創作過程。人類大規模地開發土地和興建道路，使生活在淺山生態系的石虎棲地環境減少並破碎化，致石虎無家可歸，數量銳減，生態失去平衡。而筆者透過不同的思考模式表現在繪畫作品上，以紓發內心情感，也反映描寫當代文明與生態保育的反思。本創作研究主要架構：第一章緒論，首先闡述筆者研究動機與目的，研究內容與步驟，接著說明研究相關方法，還有名詞解釋。第二章生態溯源與覓境保育，在人類與淺山生態系溯源與覓境保育的生存影響關係上進行闡述與反思，並講述逆向思考融入生活的思考角度和模式，創作感知轉化。第三章人文與生態關懷的建構與擴衍，講述生態造境，人文關懷，型式與意象。第四章個人創作作品解析，將創作思維與理念相結合呈現，作品以六個系列解析「遇見精靈」「山海靈力」「小隱隱於野」「世外桃源」「精靈覓境」「生態溯源」，主要針對創作作品的思維、意涵與表現形式、內容、技法進行深入的講述。第五章結論，探討與敘述本論文的研究心得，以及省思並提出對未來創作的展望。The title of this thesis is"Looking for the Land in the Banana Grove. "Island Tracing the Origin" is inspired by the observation and understanding of life on the ecological island of Formosa, so as to find the fun of reverse thinking in life, to create and discuss modern social phenomena with elements of the natural environment, and to research and transform them into images Visual language enters the creation process of the work. Human beings have developed land and built roads on a large scale, which has reduced and fragmented the habitat environment of stone tigers living in shallow mountain ecosystems, resulting in homeless stone tigers, a sharp drop in numbers, and an ecological imbalance. The author uses different thinking modes to express in paintings to relieve inner emotions, and also reflects reflections on describing contemporary civilization and ecological conservation.The main structure of this creative research: the first chapter is the introduction, which firstly explains the author's research motivation and purpose, research content and steps, and then explains the research related methods, as well as terminology explanations. The second chapter of ecological traceability and environment-seeking conservation expounds and reflects on the relationship between human beings and shallow mountain ecosystem traceability and environment-seeking conservation, and describes the thinking angle and mode of reverse thinking integrated into life, and the transformation of creative perception. The third chapter is the construction and expansion of humanistic and ecological care, which tells about ecological environment, humanistic care, patterns and images. The fourth chapter is the analysis of personal creative works, which combines creative thinking and ideas. The works are analyzed in six series:"Meeting the Spirit", "Spiritual Power of Mountains and Seas", "Little Hermit Hidden in the Wild", "Xanadu", "Looking for the Spirit", and "Ecological Tracing". , mainly focusing on the thinking, connotation and expression form, content and techniques of creative works. The fifth chapter is the conclusion, which discusses and narrates the research experience of this thesis, as well as reflects and puts forward the prospect of future creation.