黑與白─幾何抽象的潛力

Abstract

本創作研究旨在表現抽象創作的理念，呈現出現象下的精神力量，整體創作透過「純化」為核心概念，以「幾何結構」與「黑白色彩」彰顯純粹理念，並針對幾何抽象藝術的冷漠、平整、單調與機械化提出反動，在更重視「材質」與「立體感」的基礎上，發展出「形」、「色」、「質」、「體」兼具的表現方式，以期透過最小限度的描繪，達到最大限度的美感。作品最終構築成完整的「黑與白─幾何抽象的潛力」創作研究。

第一章「緒論」說明研究動機、目的、方法、範圍、名詞釋義。

第二章「創作研究之理論基礎」主要藉由分析抽象藝術的發展脈絡，針對主知、理性、構成、簡約的幾何抽象藝術，探究與歸納與本創作之間的關連性，分為「幾何與構成」與「極限與物質」。

第三章「創作理念與實踐」將第二章的藝術理論加以轉化與實踐，呈現自我創作的理論系統，主要分「反動」、「色」、「形」、「質」、「體」等五個面向發想與探討，為創作的核心。

第四章「創作內容、形式、技法與媒材」介紹創作的內容與形式，並記錄與說明各媒材技法的嘗試與創新，期能傳達藝術的可能性。

第五章「作品解析」藉由實際的創作與反思，說明作品間觸發概念、既延伸概念又解構概念的發展脈絡，並對於每一幅畫的創作理念加以詳細說明。

第六章「結論」作為回顧，整理一路走來的困難與挑戰，歸納藝術創作由蟄伏、發想、實踐、到詮釋的過程中產生的自我藝術理念，並盼望藉實踐與反思達到提升理念與自我成長。This work aims to express the ideology of creativity in abstract art, to showcase the spiritual power beneath the surface; the overall creative process is centered around “sublime” as the core concept in addition to “geometrical structure” and “color of black and white” for exemplifying the pure ideology while stirring reaction to the apathy, levelness, monotony and mechanization of abstract art. Based on a foundation emphasizing more on “material” and “stereoscopic effect”, a presentation style consisting “appearance”, “color”, texture” and “solid” is developed in hopes of achieving maximized degree of aesthetics with minimal works of sketching. The work is composed of three collections namely “hard cube”, “soft paper fun” and “dot”. The three collections form a complete creative research on “Black and White – the potential of geometry abstract.

Chapter One “Introduction” explains research motivation, objective, method, scope, definition of terms.

Chapter Two “Theoretic foundation of creative research” intends to analyze the developmental networks in abstract art by targeting the intellectual, rational, structural and concise aspects of geometry abstract art in order to examine and conclude their correlations with respect to this work which is divided into “geometry and structure” and “ minimalism and material”.

Chapter Three “Creative ideology and implementation” is to transform and implement the aesthetic theory in Chapter Two to be presented in a self-created theoretical system that is to be reckoned and examined in terms of “reaction”, “color”, “appearance”, “texture”, and “solid”, and to be used as the core of this creative work.

Chapter Four “Content, appearance, technique and medium of creative work” elaborates on the content and appearance of creative works while also records and describes the attempts and creativity involved in each medium’s technique with respect to the potential of transmitting arts.

Chapter Five “Work examination” is to explain the triggering concepts among the three collections namely “soft paper fun”, “hard cube”, and “dot” in an attempt not only to extend but also deconstruct the respective developmental networks while explaining in details on the creative ideology of each work.

Chapter Six “Conclusion” is to recall, organize the difficulties and challenges encountered during the course in addition to summarizing the self-derived aesthetic theory generated through out the process starting from dormancy, concept development, implementation to interpretation, and to reach an elevated level of ideology and self-growth during the implementation and self-examination process.