劉昱昀琵琶協奏曲《媚影》之分析與詮釋

Abstract

《媚影》琵琶協奏曲中運用臺灣民間北管、車鼓樂、中國京劇鑼鼓，結合西方和聲、曲式創造出此曲，在中國民族器樂作品發展迅速的同時，受到西方交響曲形式影響所發展出的琵琶協奏曲，除了在琵琶的音樂創作上有嚴謹的規範外，卻也使琵琶呈現出多彩繽紛的面貌，賦與琵琶不同以往的表現模式，進而發揮樂器本身的強性。為符合民族精神與時代性的意義，許多琵琶協奏曲作品採用中國傳統藝術為創作素材，與琵琶音樂發展有密切關係的戲曲音樂也是重大創作素材之一。

在近代琵琶音樂真正開始蓬勃發展是到了最近一百年的時光，不管是在樂曲創作及演奏技巧都有大量的人才從事大量的革新與創作，每首作品的誕生，無形之中形塑了新的創作思維或締造新的時代潮流。

本文針對各類資料彙整編撰、與作曲家劉昱昀透過實際訪談，以及樂曲結構、節奏、旋律、織體進行分析與探討，希冀提供忠於原創的演奏詮釋與欣賞的重要參考依據。"Zhongkui Marrying His Sister" Pipa Concerto use of Chariot and Drum Parade, Chinese opera gongs, combined with Western harmony, form to create a song.In the Chinese instrumental works rapidly developing at the same time, by the Western symphony form effects develop pipa concerto, in addition to the pipa music has a strict rule, but it also makes Pipa showing colorful appearance,that pipa performance different from the past, and then play the instrument itself strong resistance.

To comply with the national spirit and sense of the times, many pipa concerto works in one of the creative material of traditional Chinese art , closely related to the development of pipa music opera music. In modern pipa music really began to flourish is the last one hundred years time, whether in music compose and performance skills have a lot of talent in a lot of innovation and creation, the birth of each of the first works invisibly shaping the new creative thinking or create a new trend of the times.

In this paper, various types of data compilation,and composer Liu,Yu-Yun through actual interviews, as well as song structure, rhythm, melody, texture analysis and discussion, hoping to provide important reference original interpretation of the performance and appreciate.