窗的意象-----心靈窗口與都會櫥窗之人文關懷

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2009

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藝術反映一種社會現象並為現實生活的投射與縮影,創作即是一種自我追尋、實踐的過程 。本創作研究以「窗的意象-----心靈窗口與都會櫥窗之人文關懷」為題,藉「窗」的符號、形式、媒介來與筆者自我及觀者內心對話,透過窗的意象以日常生活中一景,來表現、象徵、隱喻內在的心靈世界,關心當下的環境、社會與人的對應關係,對週遭的社會文化、成長環境投入關注與省思。 在今日變動快速的時代裡,現代人的心靈是空虛寂寞的,文明並未帶給人快樂;而藝術形式表現多元,如同時代進步般,如何從心靈深處的感動,透過時代關懷與環境省思,轉化為個人的藝術語彙,讓觀者感同身受也帶來內心喜悅是創作者的使命。 本論文撰寫的重心架構共分六節來分述,謹摘要如下: 第一章敘述筆者創作研究之動機與目的,創作內容、範圍及方法,以生活體驗的一種內在省思,從心靈窗口與都會櫥窗為加以研究探討; 第二章則從創作理念與理論基礎之探究,藉由對「人」內在心靈的關注,及對社會的人文關懷,重新賦予新的形象,透過窗的意象,尋求一種共感的心靈交會。並從心理學及藝術流派之理論基礎,探討心靈世界及都會文化,精神與物質的深層意涵;第三章 創作主題之背景條件與元素,從窗的意象來探討,並從凝視的觀點探討消費櫥窗,以深入了解內在心靈世界,利用重疊、穿透、分割,轉化對自我心靈做一反思,運用光影的明暗,寧靜、獨處氛圍的情境,象徵意涵來呈現; 並從美術史中擷取西方繪畫中以窗為題材之創作表現,內容及形式、技法以及美學意涵,加以分析,作為創作的元素;第四章為創作內容、形式、媒材與技法,創作內容以櫥窗及心窗為主,並探究其形式與技法媒材之應用;第五章作品解說與分析,分析作品之主題內容及表現形式;第六章結論則為此研究做心得的分享與總結、省思。
Art reflects the social phenomenon and is the mirror and epitome of the actual life. Artistic creation is the course of pursuing oneself and practicing. The theme of this creating research is the image of the window-----people shows loving care for culture through the soul window and the metropolitan show window. A Window is a symbol, a form and a media and the painter converses in heart with the audiences through it. The image of the window and the scene of the daily life symbolize and become metaphor of the inner world of souls. People also express their concern about the living environment, the society and the relationship between people and care about social culture and the environment in which we grow up through the expression of the image of the window and the scene of the daily life. In the times of fast change, modern persons’ souls are hollow and lonely. Civilization does not bring people happiness. As times improve, the forms of art become diversionary. The painter needs to consider how to touch people from their hearts through his care about the age and the living environment. The painter transforms his care into the artistic language. It is the painter’s vocation to make audiences feel the same way as him and be happy sincerely. This thesis mainly divides into six chapters. The key extract describes as the following: Chapter 1 mentions the researcher’s motivation and purpose for this creative research. The content, scope and methodology are also included. The researcher discusses and reflects on life experience through the soul window and the metropolitan show window. Chapter 2 probes into the creating concept and theory to endow the artistic works with new images by caring about people’s inner souls and the society. The readers show resonance with the researcher through the image of window. The discussion between the soul world, metropolitan culture and the mental and material values bases on the theories of psychology and the diverse branches of art. Chapter 3 discusses the background and elements of the creative theme through the image of the window. The researcher focuses on the consuming on the show window to understand people’s inner soul world thoroughly. The painting skills of overlap, penetration, division and transformation help self-reflect. It presents the symbolized meaning through light and shade, tranquility and the atmosphere of staying alone. The researcher extracts the subject matter of window in the western painting from the history of fine arts and analyzes the content, forms, skills and aesthetic significance to create art works. Chapter 4 concerns about the creating content, forms, media and skills. The creating content focuses on the show window and soul window to explore how to apply the forms, skills and media to painting. Chapter 5 explains and analyzes art works and their themed content and forms. Chapter 6 makes a conclusion and shares what the researcher has learned with the readers.

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心靈, 意象, 櫥窗, 鏡射, soul, show window, Image, mirror

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