彩墨自然變奏-巫登益創作論述

Abstract

本論文之研究，主要是將生活的體驗用繪畫的語言表達出來。本論文主題為：「彩墨自然變奏」。在基本架構上分為第一章：緒論，闡述作者的研究動機與目的，內容與範圍，研究方法與步驟及名詞釋義。第二章：創作學理與探析，探討研究藝術與自然的關係，繪畫與音樂的關聯，還有繪畫中的律動美感及主題變形的視覺構成，在創作上如何將作品與大自然產生連結，而在構圖上運用不規則的幾何圖形將各種動、植物置入，而畫面不會形成突兀感。康丁斯基的作品用一句非常震撼的話來形容：「聽到顏色在靈魂跳舞」。康丁斯基所要表達的感情，是在畫面上可以欣賞與聆聽顏色在跳舞，感覺出音樂旋律與繪畫的互通與融合。在第三章的自然變奏創作實踐，筆者以黑格爾（1770–1831）的一句話：「藝術美應高於自然美」，大自然用寫生方式只不過是讓景物再現或呈現在畫面上，而筆者所要表達的是如何將大自然以抽象或半具象表現出來。雖然有些體材需借助寫生或攝影，然主要還是以自動性技法造境為主。第四章：個人作品解析中，其中第一節為自然變奏系列，在畫面上的表現猶如音樂的變奏曲一樣，將大自然的景物以半寫實半抽象方式表達出來，第二節為彩墨抽象系列，則以最新嘗試將油彩塗在銅版紙上作畫，其自動流彩的效果呈現在畫面上，肌理厚實、紋路也相對自然，由此可見創作者需時刻具有創新的勇氣與精神，絕不可墨守成規。第五章結論：創作省思與未來期許，藝海無涯，唯有秉持勇於創新、努力不懈的精神才能看見美好的未來，於此總結。The research in this thesis is mainly to express the experience of life in the language of painting. The theme of this thesis is"Natural Variations of Color Ink". The basic structure is divided into the first chapter: introduction, the author’s research motivation and purpose, content and scope, research methods and procedures, and noun interpretation. Chapter 2: Creation theory and analysis, exploring the relationship between art and nature, the relationship between painting and music, and the rhythmic beauty of painting. Section 4: The visual composition of the subject deformation, how to connect the work with nature in creation, and use irregular geometric figures in the composition to insert various animals and plants without creating a sense of abruptness in the picture.Kandinsky has a very shocking sentence:"I hear colors dancing in the soul." The emotion he wants to express is to be able to appreciate and listen to the color dancing on the screen, and feel the intercommunication and integration of music melody and painting. In the creative practice of natural variation in Chapter 3, the author uses Hegel’s words: "I believe that artistic beauty should be higher than natural beauty." The way of sketching from life is just to reproduce or present the scene on the screen, and what I want to expressis how to express nature in abstract or semi-figurative form. Although some styles require the help of sketching or photography, they are mainly based on automatic techniques.Chapter 4：In the analysis of personal works, the second section is a series of natural variations. The performance on the screen is like a musical variation, which expresses the scenery of nature in a semi-realistic and semi-abstract way. The third section is a series of colorful ink abstractions: Using the latest attempt to paint oil on coated paper, the effect of automatic flow of color is presented on the screen, and the texture is relatively natural. This shows that creators must always have the courage and spirit of innovation and must not stick to the rules.The conclusion of Chapter 5: Creative thinking and future expectations, there is no limit to the art world. Only by adhering to the spirit of innovation and unremitting efforts can we see a bright future. This is a summary.