真實.虛幻--身體風景意象創作論述

Abstract

「遊走真實與虛幻的邊境」的創作風格是筆者一直以來的創作方向，本創作論述以「身體風景」意象為系列主題，展現這表象世界裡的無數身體。筆者試圖在風景自然中找出身體意象，並從宇宙論式的角度來檢視身體，將身體視為一個小宇宙，從中探索它與大宇宙之間的相互關聯，進而回歸內在自我，重新審視自己，以最真誠的態度來進行創作。一直以來，筆者都在找尋一種真正的自由與釋放，所以不斷的旅行，藉由旅行釋放心靈、開拓視野，尋求在固有模式外的自由。不斷遊走之後，才發現生活與創作，一直在真實與虛幻的邊境中穿梭徘徊。

本文撰寫分六章，各章節摘要如下：第一章：說明創作研究動機、目的、研究範圍與方法，並在創作研究動機裡，明確說明創作主題「遊走真實與虛幻的邊境」，以及「身體風景」的發展。第二章：以創作理論基礎做為創作的支架論述，從真實與想像開端、以「遊走幻境」做哲學探索，呈現東西方的虛實意象，加以藝術裡的幻象表現來說明。第三章：針對個人創作理念進行論述，探討心象思維的真實、身體的風景意象、自然與女體的幻化，以及繪畫創作哲學思想…等對個人繪畫創作的影響。第四章：討論筆者創作的內容與形式，主要創作的媒材與技巧。第五章：作品圖像閱讀，分析並配合圖片說明，可以從本章理解筆者每一幅創作作品的理念及創作內容形式。第六章：結論中檢討本次創作研究歷程，並對未來創作方向的可能性作一說明。Abstract

Keywords: reality, illusion, body, scenery

The style of “Traveling around the edge of reality and illusion” has long been the author’s direction of creation. The present study aimed to describe the image of “body scenery”. There are countless bodies in the surface of this world. The author tried to point out the images of body from the natural scenery and to survey them from the aspect of cosmology. The body was regarded as a tiny universe which was explored the mutual relation to the giant universe. The author came back to her inner self to re-monitor herself so as to create art works in the most sincere manner. For ages, the author had been traveling constantly to seek the real freedom and release out of the fixed mode. Then, the author figured out fondly what she had been looking for was lingering about between reality and illusion.

There were six chapters involved in the present study, each of which was summarized as follows: in the first chapter, the author indicated the motive and purpose of the present study as well as the research scale and method. The development of the topics, “traveling around the edge of reality and illusion” and “body scenery” were also precisely described in this chapter. The second chapter explained the support of the main thesis, which is based on creation theories. It started with reality and imagination, explored philosophically by traveling around illusion, and indicated the illusion shown in the virtual and real image in Asian and western cultures and in art. In the third chapter, the author treated, according to her own creation theory, the effect of the reality of mind thinking, the image of body scenery, the illusion of nature and female body and the philosophy of drawing creation on individual drawing. The forth chapter talked about the content and style of the author’s creation as well as the media and skills of her main creation. The fifth chapter was to read the works by analyzing and reading the illustrations with the paintings. The readers can realize the author’s reasons and intention while creating every single work. Finally, in the sixth chapter, the author reviewed the research process and gave suggestions for future studies.