台灣博物館策展發展與生態之研究－以「雍正－清世宗文物大展」與「燃燒的靈魂．梵谷」特展為例

Abstract

本研究探究的範疇是策展本身與其組織工作的連結。任何形式的策展都是再現的詮釋，因此，不同時空下的策展與其當時社會文化、權力結構、思潮等均有特定關聯，有待理解與辨識。 本研究運用文獻分析探討策展理論，並透過深度訪談法與參與觀察法等行動研究進行個案研究，以了解國立故宮博物院及國立歷史博物館策展的互動關係，用以反省博物館自身展覽的決策、再現、詮釋等問題。 研究結果發現：「策展即實踐」，博物館進行策展時必須在尊重多元文化的前提下，運用選件、展示、詮釋、行銷及教育推廣等方式，並企圖展現多元文化的價值觀，不斷地超越典型化的展覽體制，以提升台灣文化知識水準。

The category of this research is about curatorial itself and the organization of curatorial. Any form of curatorial is the interpretation of Representation; therefore, contemporary curatorial will have a specific association with the history, culture, power composition and the trend of thought. The correlation need to be understanding and recognition. This research applies literature analysis to confer curatorial theory, and make use of action research, such as depth interview and participant observation, to do the case studies in order to understand the interaction between curators and museums, such as National Palace Museum and National Museum of History, and make a self-examination of the decision-making, representation, interpretation and other issues of the museum's own exhibition. The research shows: "Curatorial is a practice." Based on the premise of respecting cultural diversity, museums and curators need to use good methods such as option, presentation, interpretation, marketing, continuing education and etc. to show the values of multiculturalism, and integrate interdisciplinary scholarships to promote the culture and knowledge level of Taiwan audience.