台灣陶瓷類博物館的展示詮釋——以鶯歌陶瓷博物館為例
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2017
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新北市立鶯歌陶瓷博物館是臺灣第一座以陶瓷為主題的專業博物館，自二000年正式開館以來，歷經十六載，在臺灣陶藝發展上扮演著重要角色。本研究以鶯歌陶瓷博物館的展示為研究對象，一方面以鶯歌陶瓷博物館的常設展的內容為文本，做展示設計與文化內涵的分析與詮釋，另一方面透過其歷年特展資料的統計分析，觀察其展示的發展趨勢。
研究發現，陶博館的常設展示，主要以臺灣陶瓷歷史內容為中心，採取多元詮釋的展示架構，透過主題取向的展示方式，利用陶瓷文物、圖文解說、記錄影片等多元的展示媒介，呈現臺灣陶藝的產業、文化、常民生活等多元面向，但缺少對臺灣現代陶藝的詮釋；陶博館的特展則主要圍繞現代陶藝和陶瓷產業為重心，舉辦各種類型的展示，呈現現代陶藝發和陶瓷產業的發展趨勢，但對陶瓷文史之展示和研究有待加強。
關鍵字：博物館、展示、詮釋、陶藝、鶯歌
Abstract Yingge Ceramics Museum is the first professional ceramic museum in Taiwan since 2000, which has had asignificant influence on the ceramic arts development of Taiwan for the past 15 years. This study discusses how the museum interprets ceramics culture in Taiwan，on the one hand,with the case of study of permanent exhibition of Yingge ceramics museum,analyse and interpretate the exhibition design and culture purport; on the other hande, through data of temporary exhibition in the past 15 years to explored the developmental trend of its exhibitions. The following conclusions can be drawn from this study: The permanent exhibition of YPM is based on the history of ceramics using multi-interpretative exhibition structures and thematic display to show the dimensions of industry, culture and folk life on ceramics, but at the same time lacks the interpretation of modern ceramics art in Taiwan. The temporary exhibition of YPM focus on modern ceramics art and ceramics industry, showing the development through displaying a variety of exhibitions, but its history exhibitions still need improvement. Key words: museum, exhibition, ceramic art, interpretation，Yingge
Abstract Yingge Ceramics Museum is the first professional ceramic museum in Taiwan since 2000, which has had asignificant influence on the ceramic arts development of Taiwan for the past 15 years. This study discusses how the museum interprets ceramics culture in Taiwan，on the one hand,with the case of study of permanent exhibition of Yingge ceramics museum,analyse and interpretate the exhibition design and culture purport; on the other hande, through data of temporary exhibition in the past 15 years to explored the developmental trend of its exhibitions. The following conclusions can be drawn from this study: The permanent exhibition of YPM is based on the history of ceramics using multi-interpretative exhibition structures and thematic display to show the dimensions of industry, culture and folk life on ceramics, but at the same time lacks the interpretation of modern ceramics art in Taiwan. The temporary exhibition of YPM focus on modern ceramics art and ceramics industry, showing the development through displaying a variety of exhibitions, but its history exhibitions still need improvement. Key words: museum, exhibition, ceramic art, interpretation，Yingge
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博物館, 展示, 詮釋, 陶藝, 鶯歌, museum, exhibition, ceramic art, interpretation, Yingge