鹽鄉風情-鹽分地帶繪畫創作研究

Abstract

若說藝術是「名詞」，那麼繪畫就是「動詞」，而意境則屬「形容詞」；藝術繪畫是彰顯自我的情感，將主觀的感覺和外在客觀情境，用創作方式表現出來，以筆繪情、用畫表意。 因此，筆者將以繪畫創作為主體，藉由客觀的寫景與心靈的意境相交融，試著探尋藝術理想的本質，使外在的「現象」符合「心靈」，作為藝術創作的起點，並落實在藝術作品的建構上。 在個人繪畫創作的歷程中，嘗試過不同的創作形式，其中油畫創作，一直是筆者心靈中深層的需求與熱愛。因此，本論文擬就「鹽分地帶繪畫創作研究」這一主題，以寫實繪畫創作方式為切入點，對「鹽分地帶」這塊土地的自然環境與人文特色，做多面向的探尋。進而以結合土地與人民對於生活中的感受，創作出繪畫與心靈間的交流。用真誠與純樸的寫實意境，傳達出人們對於日常生活的情感感受與精神內涵，以及領悟出生命的存在意義。 此次論文研究架構將分為五個章節解說。第一章：緒論，說明此主題的研究動機，研究目的，研究方法與範圍。第二章：創作題旨研究，針對題旨的地理環境、人文精神、歷史文獻，作一整理分析。第三章：闡述創作理念與學理基礎，藉由土地與人民之間的聯繫，進一步探究大自然與人們現實界的現象，以及精神層面的意涵。表達對於大自然與人們，共生共存的情感理念。第四章：闡述個人創作風格、創作形式、表現技法、使用媒材及創作過程。第五章：創作作品解析，針對筆者的作品，作個別分析探討，延伸對主題的論述。第六章：結論，經由論文的撰寫及創作過程，再次整理自我的認知及方向，做為未來創作發展的省思。If art is a “noun”, then painting is a “verb”, and image is an “adjective”. Painting is a way, by artistic creation, to reveal one’s feelings and to tell the circumstances. Expressing the feeling by pen; describing the image by painting. As a result, the author will explore artistic creation by fusion of scenery drawing and mental image; try to explore the essence of ideal art as a beginning of artistic creation by making appearance to meet the mind; and will implement it while composing the artistic works. During the history of personal artistic creation, the author tried different form of creation; however painting is heart’s desire and favorite. Therefore this thesis will discuss forms of realistic painting; explore the nature environments and human features of “salt zone”. Then, the author tries to create the communication of painting and mind by combining this land and people’s feeling in daily life. With true and simple images, paintings deliver people’s feelings and spiritual content in daily life and understand existence significance of life. The author elaborates on this research by five chapters. Chapter one: an introduction, introduces a motive, research objects, research measures, and research scope. Chapter two: subject research, analyzes geography, human spirits, and literature review. Chapter three: elaborating the idea of creation, explores the appearances of nature and people and spiritual meanings, conveys the ideas of coexistence of nature and people by connections of this land and people. Chapter four: elaborating the personal style and forms of creations, techniques, media, and process of creation. Chapter five: analyzing the creations; analyzing each piece of author’s and extending discuss of this subject. Chapter six: conclusion; reorganizing self-recognition through thesis writing and creating process as an examination of future creations