本質．禪機 —「舞動中的張力」水墨創作研究

Abstract

本研究是筆者透過事物的內心直觀感受後，獲得舞動的情感符號，試圖從圖像的內在意涵與外在形象來傳達創作者內心與形象精神的合一。不論是否具有風格、是否獨樹一格、是否與藝術潮流吻合，最重要的是形式的產生是否出自內心的需要。因為藝術品是某個意義上的情感表現，畫家在繪畫過程中就能得到滿足。 本研究透過中國美學文獻的探究進入物象本質的觀照。內容觸及老莊哲學思想說明物的屬性及二元對立的兩面觀，以及東方根源事物蘊含的能量與當質點碰撞產生巨大視覺效果的變動質覺能量的頓悟。太極處於寂然不動是一種極危險的均衡，其中包含無限的變動因子。佛家無常論說明變動是一種原則。因此對應自然的動態能量，藝術家必須達到自由境界，才能創造藝術的美。另一方面以西方美學解釋本質直觀，與克羅齊派美學家的直覺即表現、藝術即表達。為了表達舞動效果，透過異質同構、陌生化的手段來強化視覺張力。 「舞動中的張力」在靜止的畫面中，透過舞動主題表現，產生了張力與韻味。創作者試圖從舞動中的生命植物的創作，在平面視覺作品中以水墨創作方法展現，表現韻律及舞動中的圖形知覺。傳達筆者之思想、感情。本創作為達到畫面圖像具有舞動張力的視覺效果，透過重疊、透明、漸層、扭曲、旋轉、簡化、虛實手段來表現深度的內涵，企圖盡可能從自然植物裡產生新鮮概念，再現經驗裡的生命植物。舞動美感的水墨形式回歸到東方思想與水墨精神的傳達。最終目的使得古老的水墨題材，發現一個新的視覺形式。

In this research, the author acquires dancing, emotional symbols through her directly perceived inner feelings about the surroundings. She tries to express the unity of inner feelings and formal spirits through the hidden meanings and the external forms of images. Whether the artworks are stylish, unique, following the artistic trend or not, the most significant point is whether the production of the forms come from the need of the heart. It is because works of art are emotional expressions of certain meanings. And artists could feel satisfied in the process of painting. Through the inquiry into Chinese aesthetic documents, this research contemplates the essence of objects. The content includes the property of objects in the philosophy of Laozi and Zhuangzi, the dualistic view of dual antithesis, the power contained in the root of oriental objects, and the epiphany of changing power and energy of visual perception caused by the collision of particles. That Tai Chi is quiescent and motionless is an extremely dangerous balance, which includes unlimited changing factors. Buddhist theory of impermanence explains that changing is a kind of principle. Therefore, corresponding to the dynamic energy of nature, an artist must meet the free state, in order to create the beauty of art. On the other hand, the research explains nature and the intuition through Western aesthetics, and the conception of aesthetician of Croce's school that intuition is the performance and art is the expression. Dance to express the effect, through the isomorphism, alienating methods to strengthen the visual tension. The tension in dancing results in tension and charm through the performance of the dance theme in the quiescent screen. The creator tried to adapt from the creation of dancing, living plants and show and perform the graphic perception of rhythm and dancing in the plane visual works with ink-painting creative methods. In order to convey the author's thoughts, feelings and achieve the visual effect with "dancing tension" on screen images, this artistic work is created through overlapping, transparent, twisting spinning, simplifying, isomorphism, and alienating methods to express the depth of meaning. The work attempts to generate new concepts from natural plants and reproduce the plant of life in the past experiences as far as possible The ink-painting form of dancing beauty finally returns to the expression of oriental thinking and the spirit of ink paintings. The ultimate goal of the work is to enable the old ink theme to find a new visual form.