荒原‧幻境─擺盪現實與想像之間的風景寓言

Abstract

內容摘要 幻想(caprice)是人類與生具有的能力，而現實生活的經驗和體認，可說是幻想形成的重要基礎。想像中的事物，追根究源，終能尋得其存在現實的痕跡。此次創作，結合了現實與幻想的畫面結構，講述的是對流逝歲月的思念與不捨，並對現今生活環境各種異象所提出的質疑以及對此地的未來做最誠摯的期許與祝福。 憑著一股對童年難以忘懷的遐想，像個長不大的孩子，老是對虛幻的夢境窮追不捨。也許是對未來的不確定性感到不安，同時緬懷著以往可堪回憶的歲月，從現實與非現實的想像空間裡，在經意與不經意的意識下，勾露出內心底層的想像。從實際生活出發的虛構幻境，形成創作所不可或缺的基本元素。它們不只是憑空杜撰，而是對生活經驗、社會態度的一種自然投射或反思，揉合了外在的吸納與體驗。具象的(figurative)幻境形式，是構成畫面的手段，表現的是一種超越現實的內在真實，多次元時間和空間的組合，有多樣真實事物的表象，增生畫面的敘述性，集合現實與幻想的雙向解讀，進而企圖解構內心不合理的矛盾。透過時間和空間巧妙的連結，看似寧靜的場域，隱含浮動漂流的時間軌跡，寫實的幻境，筆直觸動人心的意圖顯而易見。空間時間的相互協調和結合，配置畫面的安排和未定的組合，構成觀者與作品對話的種種可能性。 這次創作論述各章節部分摘錄如下，第一章緒論，說明我的創作動機、目的與重要名詞的解釋。第二章創作思想來源與文獻探討，分為創作思想來源及文獻探討等兩節，其中創作思想來源說明個人的創作，源自真實的世界，生活的外在體驗和內在的思考，孕育出創作的靈魂，而她的軀殼則是一種超邏輯的(alogical)視覺形象。文獻探討講述和這次創作相關學術流派與之間的淵源，內容簡要述說象徵主義(Symbolism)、超現實主義(Surrealism)和魔幻寫實主義(Magic Realusm)等派別或學說的內容及其影響。第三章創作理念形成之背景與實踐，說明此次創作的思想來源與創作過程。第四章創作的內容、形式、技巧與媒材，第一節創作內容的選擇，主要在藉由過去的經驗、檢視現今種種現象，預定擬出未來的美好藍圖，是一種深切的期待。第二節創作的形式，說明以自然景物為創作主體形式，並以此導引出對各種課題的敘述和探討。第三節技法與媒材的應用，簡要講解此次各種創作技巧及所運用之工具材料。第五章創作構思與作品內容解析，主要說明此次創作的作品構想之形成和對部分創作品做逐一的說明，包括形式結構與內容解析。第六章結論，分別提出若干可供思考的問題，認清自我的未來創作方向，最後以具有時代性、有明確的創作內涵、適當的創作形式及善變的創作題材來期勉自己對藝術創作的態度和對此地未來的無限祝福與展望。

abstract Caprice is a talent of human nature, besides, life experiences and recognitions are crucial for vision accrued. If follow the cues of imagination, would finally find out similar pictures just exist somewhere in this world. Composing with reality and fantasy, my art work, or the creation, mainly describes the cherish memories, questions of unusual phenomenon in reality, and my best wishes for future expectations. The reverie of my childhood was so impressed and vivid in mind. Sometimes, I feel like a child who never grown up, and cannot help myself to stop chasing the fantastic world in dreams. Perhaps it is because of the unsure feeling toward unknown future, at the same time, I look back those days I have been through, memorize the old times. Then visions appeared in front of me, and they became essential elements of my art work. These visions are not completely made up without any causes or reasons, but they are reflections and introspection of life experiences, they are attitudes toward the society. By using figurative vision form to compose the whole picture, try to introduce the surrealistic truth in mind. The settled time and space, the representation of real things enrich the description of picture. Try to figure out the real meanings behind reality and fantasy, and then to explain the irrational ironies come to mind. Connecting with time and space, where seems like a quiet place but also with floating time. A realistic vision is obviously tending to touch people’s mind. Time and space, mysterious components and arrangements create the possible conversation between viewers and the creation. In Chapter One explains the motive and aims of the creation, and gives definitions of certain important words. In Chapter Two are divided in to two parts: the concept of self-creation and document discussion. The concept of self-creation explains the basic ideas come from the reality. Outside life experiences and inner reflections made the soul of creation, and her body is an aogical image. In the section of document discussion explains the relating schools of thought, includes Symbolism, Surrealism and Magic Realism. Chapter Three is about the background information of origin concept and practical process. Chapter Four is description of contents, forms, skills and materials. In first section of Chapter Four is about the selection of content. Examining today’s phenomenon, and then drew out the future blueprint with great expectations. In Section Two is the form of content, uses nature elements as subject, and expands discussion in various topics. In Section Three is about the skills and materials, explains the requiring skills and needed instruments or materials in the art work. Chapter Five is composition and analysis of the creation, mainly explains where the ideas come from and detail explanations. Chapter Six is conclusion, shows out several questions, then find out my way of self-creation in future. I expect my attitude toward creation should focus on several parts: epoch, specific content, proper form and various subjects. Finally, I would like to deliver my best wishes to this land sincerely.