在互為主體之間：「情境」下的舞蹈身體

Abstract

20世紀以降，藝術發展朝向以「身體」作為一種表現媒介，來呈現文化與社會變革下對生活的思考與反動，其中與「身體」有著密不可分的表演形式——「舞蹈」在藝術史上具有一段重要的歷史。1960年代左右，舞蹈與視覺藝術有一段頻繁往來的交流，於此同時，隨著科技的發展，也引發許多藝術家進行跨領域實驗。科技與舞蹈的結合呈現與過往不同的觀看體驗，「身體」的表現範圍擴大，表演與舞台的概念有更多元的形式。「空間」固定型態的打破，也演變在當今表演策展的趨勢上，「舞蹈在美術館」是從傳統劇場空間過渡到當代展示空間，並結合「展覽」與「表演」的概念。有鑑於此，本研究將「身體」作為主軸，分為「科技介入舞蹈」與「舞蹈在美術館」兩個面向，具體分析《Loop Me》、《Second Body》、《黃翊與庫卡》、《日常編舞》與《透明》，並援引Merleau-Ponty的身體現象學作為方法論，圍繞身體、空間、時間與世界等關鍵概念，闡明舞者／參與者在「舞蹈－身體」結構下，身體、空間、他者互為主體的過程與文化意義。Since the 20th century, the development of art has tended to use the"body" as a medium to present the thinking and reaction of life under cultural and social changes. A form of performance that is inseparable from the "body"–"dance" has an important role in the history of art. Around the 1960s, there was an interaction between dance and visual arts. At the same time, with the development of technology, many artists have been triggered to advance interdisciplinary experiments. The combination of technology and dance presents a different experience from the past.The range of expression of the"body" is expanded, and the concept of performance and stage has more diverse forms. The space of expression of "body" has expanded, the concept of performance and stage has more diverse ways of expression. The breaking of the boundary of "space" has also evolved in the trend of today's performance curation. "Dance in the Museum" is a transition from a traditional theater space to a contemporary exhibition space, and combines the concepts of "exhibition" and "performance". In view of this, thisthesis takes "body" as the main issue, and extends into two aspects: "technological intervention in dance" and "dance in the museum". Specifically analyze the cultural meaning of body in Loop Me, Second Body, Huang Yi and Kuka, You Choreograph and Transparency. By applying Merleau-Pontian phenomenological concepts as methodology, focusing on body, space, time, and lived world, illustrate intersubjective condition among body, space, and dancers/participants in "dance-body" structure.