氣泡中的時間性

Abstract

本論文以創作者的身份，將「氣泡中的時間性」作為創作研究主題，藉由觀察、回憶、省思的創作歷程，進行理論性、技術性的整合研究。以「時間」作為問題的主軸，對自我提問：「時間」是什麼? 並藉由研究歷程，去尋求與了解自己；時間一直是構成人類生活經驗的鎖匙，伴隨時間的流逝讓人擁有了記憶，而回顧過往的記憶，成了回憶。在經歷求學及軍旅生活後，更是讓筆者深感「時光飛逝」，因此興起了探討「時間」的想法，希望藉由以時間為軸線的平面繪畫創作，來重現記憶中的時間片段，藉而重新省思生命的意涵。 透過個人的藝術創作研究、生活體驗、外在訊息的吸收，漸開發出象徵時間性的藝術語彙「氣泡」；藉由氣泡短暫的，夢幻的消逝性，作為對生命時間構成的象徵，在肢體變換狀態中與氣泡呼應，在空間物質中與氣泡做對話，表達一種時間消逝性的不捨與感慨。 本論文分為六章來分述： 第一章 緒論：從自我的創作背景敘述筆者創作研究之動機、目的、 研究範圍與方法步驟。 第二章 創作思唯與學理之探討：從各角度探討與筆者創作關聯之藝術時間性，美學的、心理學的、藝術創作型態的。 第三章 繪畫創作主題分析與攝影影像之關聯性：介紹攝影影像的應用、取材與攝影美學觀的影響。 第四章 創作內容與形式技法。 第五章 作品說明：將作品經由鑑賞四步驟其中前三步驟。描述、分析、詮釋、判斷(留給觀者)， 一一介紹與說明。 第六章 結論：作研究的總結與反省。This thesis applies creator's status; the air bubble in timely performance is the research subject of this creation. According to the process of creation, observation, recollection, and introspection, they carries on with theoretical and the technical conformity research. The thesis discusses “the time” as the main question and I ask myself: What “is the time”? Because of the research paper, I also seek and understand myself. The time is always constituted as the life key of humanity experience. The time passes and lets the human have remembrances, but reviewed the past memories, and these have become the recollection. After the experience of schools and the troop in life, this allows the author deeply feels that the time flies; therefore, this has started the discussion of “the time” as the idea. Hope that using the time as the creation topic can reappear the fragment time in memory, and allowing the introspection of life again. By individual artistic creation research, the life experiences, the absorption of external information, these gradually develop the symbolic time for art vocabulary, “the air bubble.” Because air bubble disappears in a short time period and dissipates naturally, this regards as a symbol of constituted life. Act in coordination with the condition of body transformation and the air bubble, this allows the dialogue between the spatial materials and the air bubble which to express one kind of timely dissipation and emotional feelings. The thesis paper is divided into six chapters to narrate： Chapter I ：Narration: the self-creation background, the author’s motive of art’s creation, the goal, the range of study and the methods in the research. Chapter II：The discussion of creational thinks with the scientific theory From various angles, discuss the author’s creational connection of art timeliness, the esthetics, the psychology, and the ideologies of artistic creation. Chapter III：The connection of drawing theme analysis and the photographic images Introduction of photography application, selection and the influence of photographic esthetics view points. Chapter IV：Creational content and technique Chapter V ：Work explanation By way of examination with four steps, use the first three steps for the work. The description, the analysis, the annotation, and the judgment (leave it to the viewers), and gives introductions and explanation individually. Chapter VI：Conclusion: the research’s summary and the introspection.