論《埤雅》及其在宋代《詩經》專著中的傳播
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Date
2013-03-??
Authors
楊晉龍
Yang, Chin-lung
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Publisher
國文系
Department of Chinese, NTNU
Department of Chinese, NTNU
Abstract
本文旨在探討宋代陸佃（1042-1102）《埤雅》與《詩經》的關係及其在宋代《詩經》學專著傳播的實際狀況。經由《埤雅》內容的歸納分析，以及宋代《詩經》專著引錄的狀況，進而分析探討《埤雅》被引述進入《詩經》專著的可能緣由，還有宋代《詩經》專著引錄《埤雅》的實際表現及其在詩經學史上的意義。研究進行的程序，首先分析《埤雅》內容與《詩經》文本的關係；其次分別統計《詩經》學著作引錄的實況，歸納了解引述的情形；然後分析這些引錄在《詩經》學上的意義與價值。研究成果除有助於對《埤雅》內容的了解外，或當有助於對宋代《詩經》學整體發展實況的了解，同時更提供比較確實有效的資料，對傳統《詩經》學的相關研究者，當有部分有益的協助功能。
This essay proposes to discuss two questions: 1) the relation between Pi Ya by Lu Dian (1042-1102) and the Book of Songs, 2) the scholarly application of Pi Ya’s interpretations in the exegetical works on the Book of Songs during Song Dynasty. Following an inductive analysis of the content of Pi Ya and references to this book in the Song exegesis of the Book of Songs, the essay will identify the possible reason or reasons for Pi Ya’s appearance in the studies of the Book of Songs. The essay will also investigate some examples as well as the significance of these studies’ using of Pi Ya. The discussion will take turns to examine the content of Pi Ya, clarify the book’s relation with the Book of Songs, offer a statistical analysis of the references to Pi Ya in the Book of Songs exegesis, and interpret the significance of such application. The essay hopes that its discussion will advance the understanding of Pi Ya, outline the overall situation and development of the exegesis of the Book of Songs in Song and, at the same time, provide some research materials to be of assistance to today’s scholarship of the Book of Songs.
This essay proposes to discuss two questions: 1) the relation between Pi Ya by Lu Dian (1042-1102) and the Book of Songs, 2) the scholarly application of Pi Ya’s interpretations in the exegetical works on the Book of Songs during Song Dynasty. Following an inductive analysis of the content of Pi Ya and references to this book in the Song exegesis of the Book of Songs, the essay will identify the possible reason or reasons for Pi Ya’s appearance in the studies of the Book of Songs. The essay will also investigate some examples as well as the significance of these studies’ using of Pi Ya. The discussion will take turns to examine the content of Pi Ya, clarify the book’s relation with the Book of Songs, offer a statistical analysis of the references to Pi Ya in the Book of Songs exegesis, and interpret the significance of such application. The essay hopes that its discussion will advance the understanding of Pi Ya, outline the overall situation and development of the exegesis of the Book of Songs in Song and, at the same time, provide some research materials to be of assistance to today’s scholarship of the Book of Songs.