咱巄係待灣郎－以幻想主題分析方法看金枝演社劇團

Abstract

金枝演社劇團於1993 年成立至今已18 個年頭，從當時標榜著實驗、創新的小劇場，到現在以獨特的「胡撇仔」與特別的環境劇場，為其主要的表演手法及戲劇種類，甚至被譽為台灣的「台客第一天團」。他們以親近大眾的生活為題材所創造出來的戲劇，受到民眾的熱烈迴響，也把「草根」、「土地」這樣的意象與觀賞者共享；在網站、在戲劇節目單內容上、他們戲劇的內容、戲劇人物的服裝及打扮，也都標榜著庶民文化的特質，更是欲將戲劇所有面向與觀賞者的生活記憶做扣連。 在本論文中，筆者欲透過Ernest G. Bormann於1972年所提出的幻想主題分析方法，來觀看金枝演社所表演的劇碼是如何藉著喚起民眾過去的共同回憶，及營造既傳統又現代的幻想氛圍，來凝聚觀眾對於金枝演社戲劇的支持及喜愛。 本研究問題如下： 一、 金枝演社建構出何種對於他們戲劇的幻想主題、類型及語藝視野？ 二、 觀眾及媒體如何回應金枝演社所建構出的幻想主題、類型及語藝視野？ 三、 金枝演社所建構出來的幻想主題、類型及語藝視野，在媒體及網路社群中的覆誦(chain out)為何？ 統整出屬於金枝演社與觀賞者的幻想主題、幻想類型與語藝視野。金枝演社所立足的是街坊市井、常民生活之上，貫穿了虛幻與真實，以及體驗當下的場景主題；在金枝庶民戲劇之中，角色主題所展現的是被正名且賦予新生命的台客幻想，與一種文化原型、神化的英雄幻想；在行動 (情節)主題方面，以街坊市井中最常見的愛恨情仇，以及貫穿了時空下所具有的過去、未來，呈現出一種懷舊回憶的氛圍；並且以新舊揉合與胡撇仔的剪貼拼湊為其合理化機制。再提煉出集體「憶」「像」的凝聚、展演台灣的庶民文化，以及幻想主題分析中的終程單元：「戲劇中的台灣認同－咱巄係待灣郎」此語藝視野。Since 1993 to this year, Golden Bough Theatre has been 18 years. Early Golden Bough Theatre was an experimental and innovative theater, but now the unique "Taiwan opera" and the particular environmental theater have been their major types of performances and theater techniques. And they are even known as Taiwan's " The First Theatre of Tai-Ke(台客)". The Golden Bough Theatre’s dramas always have very enthusiastic responses are close to the public life. They share the "grassroots", "Land" Image with the spectators. On their Web site, in the drama program, the content of their dramas, and drama actor’s clothing and make-up, they are labeled as the nature of popular culture, and wishing all the aspects of drama buckle with the viewer's memories. In this paper, I want to master through the fantasy theme analysis method that Ernest G. Bormann had proposed in 1972. To watch the repertoire the Golden Bough performed how to awake people to the common memories of the past, and create the fantasy atmosphere of both traditional and modern. The questions are followed： First, what does the Golden Bough construct the fantasy theme, the fantasy types and the rhetorical vision? Second, how the spectators and the media respond to the fantasy theme, type and rhetorical vision that the Golden Bough construct? Third, how the media and the Internet community chain out with the fantasy theme, type and rhetorical vision? According to the research, the Golden Bough and the viewers of the fantasy theme, fantasy types and rhetorical vision are followed. The Golden Bough has a “neighborhood marketplace and the daily life”, run through the“ illusion and reality”, and experience the “here-and-now”. In the Golden Bough Theatre dramas, the character theme shows that, the Tai-Ke(台客) with the rectification of name and the new interpretation, and the hero with the cultural archetype and apotheosis. In the action theme, they shows the various emotions among the common people, and has the past-and-future throughout the time and space, and presents an atmosphere of nostalgic memories. And the old-and-new blending and the “Taiwan opera” collage are the rationalizing mechanism. Then we can extract the collective "memory" "image" cohesion, and the performance of popular culture in Taiwan, and the ultimate unit of fantasy theme analysis： " the Taiwanese identity of drama - All We Are Taiwanese " The rhetorical vision.