歌舞電影《紅磨坊》之舞孃角色詮釋分析
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2022
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「舞孃」所指的是女性的舞者,以表演舞蹈為業的女郎。其演出服裝都十分華麗,表演的舞蹈非常豔麗、以性感著稱,無論是在現實生活中亦或是電影劇情中,角色皆十分鮮明。「歌舞電影」則是一種以歌唱、舞蹈貫穿劇情的電影類型,其更是一種文化,是一門獨特的敘事藝術。 本論文研究對象為歌舞電影《紅磨坊》(Moulin Rouge, 2001),探究其舞孃角色詮釋分析。將於第一章緒論描述研究者的研究動機、目的與問題、研究範圍與限制。於第二章文獻探討介紹各國舞孃、法國巴黎紅磨坊(Moulin Rouge)歌舞廳、歌舞類型電影之介紹,以及紅磨坊相關的作品……等等。於第三章介紹本論文的研究方法:研究架構與流程,以及主要研究對象、輔助研究對象……等等。於第四章進行本論文之重點,介紹作品之劇情大綱、角色結構,並於該章節以表格之形式進行歌曲表演詮釋之分析。探討同以「舞孃」作為故事主軸的歌舞電影《舞孃俱樂部》(Burlesque, 2010),並列舉兩部電影之同異處。第五章結論與建議為本論文最後一個章節,將於此章節提及研究結果、結論、研究心得、未來研究方向建議……等等。 本論文的研究方法運用以下兩種:一,「文獻資料分析法」,蒐集國內外文獻資料,經分析、分類、歸納、整合於第二章節。二,「表演詮釋分析法」,於第四章節進行大篇幅角色詮釋分析。本文以歌舞電影《紅磨坊》作為主要研究對象,研究者試圖從中挖掘「舞孃」之起源與發展、女性之精神,並探究演員之角色詮釋。
“Burlesque” refers to a female dancer, woman who performs dance as her profession. Their costumes are very beautiful, and the dances are very gorgeous and sexy. Whether in real life or in the movie, the roles are very distinct. “Musical Film” is a type of movie that runs through the plot with singing and dancing. It is also a kind of culture and a unique narrative art.The research object of this thesis is the musical film “Moulin Rouge” (2001), to explore the interpretation and analysis of its dancer role. In the first chapter, the introduction, I describe my research motivation, purpose and problems, research scope and limitations. In the second chapter, the literature, I discuss and introduce dancers from various countries, the “Moulin Rouge” in Paris, France, and I also introduce the musical films, as well as the books and movies related to the Moulin Rouge...etc. In the third chapter, I introduce my research method: research structure and process, main research objects and supported research objects...etc. In the fourth chapter, the most important chapter of this thesis, I mention the plot outline and character structure of the movies, and analyze the song performance interpretations in tables in this chapter. In addition, I discuss the musical and dance film “Burlesque” (2010), which also took “Burlesque” as the main story. Then, I list the similarities and differences between the two films. In the fifth chapter, come to the last chapter of this thesis, conclusion and suggestion. I mention the research results, conclusions, research experiences, suggestions for future research directions of this thesis, etc.The following two research methods are used in this thesis, “Document Data Analysis Method”, which collects domestic and foreign documents to analyzes, classifies, summarizes and integrates them in the second chapter. “Performance Interpretation Analysis”, I analyze the role interpretation analysis in the fourth chapter. This thesis takes the musical film"Moulin Rouge" as the main research object. I attempt to explore the origin, development, and the women spirit of “Burlesque”, and explore the role interpretation of actors.
“Burlesque” refers to a female dancer, woman who performs dance as her profession. Their costumes are very beautiful, and the dances are very gorgeous and sexy. Whether in real life or in the movie, the roles are very distinct. “Musical Film” is a type of movie that runs through the plot with singing and dancing. It is also a kind of culture and a unique narrative art.The research object of this thesis is the musical film “Moulin Rouge” (2001), to explore the interpretation and analysis of its dancer role. In the first chapter, the introduction, I describe my research motivation, purpose and problems, research scope and limitations. In the second chapter, the literature, I discuss and introduce dancers from various countries, the “Moulin Rouge” in Paris, France, and I also introduce the musical films, as well as the books and movies related to the Moulin Rouge...etc. In the third chapter, I introduce my research method: research structure and process, main research objects and supported research objects...etc. In the fourth chapter, the most important chapter of this thesis, I mention the plot outline and character structure of the movies, and analyze the song performance interpretations in tables in this chapter. In addition, I discuss the musical and dance film “Burlesque” (2010), which also took “Burlesque” as the main story. Then, I list the similarities and differences between the two films. In the fifth chapter, come to the last chapter of this thesis, conclusion and suggestion. I mention the research results, conclusions, research experiences, suggestions for future research directions of this thesis, etc.The following two research methods are used in this thesis, “Document Data Analysis Method”, which collects domestic and foreign documents to analyzes, classifies, summarizes and integrates them in the second chapter. “Performance Interpretation Analysis”, I analyze the role interpretation analysis in the fourth chapter. This thesis takes the musical film"Moulin Rouge" as the main research object. I attempt to explore the origin, development, and the women spirit of “Burlesque”, and explore the role interpretation of actors.
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舞孃, 歌舞電影, 《紅磨坊》, 《舞孃俱樂部》, 女性, Burlesque, Musical Film, “Moulin Rouge”, “Burlesque”, women