生命弦音‧穿越畫筆心-林育州繪畫創作論述

Abstract

筆者出生在雲林北港朝天宮旁，對廟宇的文化與活動留有深刻印象。每年的白沙屯媽祖遶境勾起了筆者的記憶，而高爾基童年的回憶亦影響筆者的創作方式，同時，作畫的靈感來源延續到吳文瑤的媽祖遶境的繪畫本。種種因素，使筆者在年近七十歲之際，試圖將過往的回憶呈現在畫作上。本論文以「生命弦音」為題，探討柏格森「綿延」的時間概念與佛洛伊德潛意識應用在藝術表現上的影響，並解析中外藝術大師作品特色，透過文獻爬梳與繪畫創作實踐，藉以累積創作能量，重新檢視生命歷程、建構自我視覺經驗外的心靈意象。

本論文研究共分五個章節，第一章緒論說明研究動機、目的，並界定研究的範圍與方法；第二章為文獻探討，探究廢墟意象、綿延與懷舊的時間意識、超現實主義、抽象表現主義、集體潛意識等概念與理論；第三章為「生命弦音」之創作論述，闡述創作理念、靈感收集冊以及媒材技法；第四章為作品分析，分析畫作的創作內容與畫面安排，以及所連結的記憶與意象；第五章結論則總結筆者的創作內容與意識，展現本研究的創作成果，並於此研究為基礎，展望未來的創新發展。The author was born next to Chaotian Temple in Beigang, Yunlin, and was deeply impressed by the culture and activities of the temple. The annual Mazu pilgrimage in Baishatun evokes the memory of the author, and Arshile Gorky’s childhood memories also influence the author’s creative methods. At the same time, the source of inspiration for painting extends to Wu Wenyao’s painting book of Mazu’s pilgrimage. Various factors led the author, when he was nearly seventy years old, to try to present his past memories in paintingsThis thesis is titled "Chord of Life" explores the impact of Bergson’s concept of “duration” on time and Freud’s application of subconsciousness in artistic expression, and analyzes the characteristics of the works of Chinese and foreign art masters through literature review and painting creation. Practice to accumulate creative energy, re-examine the life process, and construct spiritual images beyond selfvisual experience. The research of this thesis is divided into five chapters. The initial chapter serves as an introductory section elucidating the driving force and objectives behind the study. It also delineates the extent and methodologies employed in the research. The second chapter is a literature review, exploring the image of ruins, the time consciousness of duration and nostalgia, Cubism, and Surreality. ism, abstract expressionism, collective subconscious and other concepts and theories; the third chapter is the creative discussion of"Life Strings", expounding the creative concept, inspiration collection album and media techniques; the fourth chapter is the analysis of the work, analyzing the creative content and The arrangement of the pictures, as well as the connected memories and images; the conclusion of Chapter 5 summarizes the author's creative content and consciousness, shows the creative results of this research, and based on this research, looks forward to future innovative development.