鄉愁的形狀—徐薏婷水墨創作論述

Abstract

本文係以筆者大學畢業製作之探討主題「家」至研究所期間探討「鄉愁」之系列作品為對像，試圖以心理學、社會學、風格學等梳理自身創作的脈絡，並嘗試在創作上找到新的作品詮釋方法。第二章，以梳理英文中不同的鄉愁概念開始，試圖釐清筆者所言之鄉愁為何物。接下來則以榮格心理學的角度探索鄉愁在筆者作品中所欲訴說的情感。第三章接著以筆者喜愛之文學、繪畫、電影作品分析、探討其中鄉愁與前述榮格所討論之「情結」議題的關係，以及其對筆者創作本系列作品《鄉愁的形狀》時的影響。在第四章中，筆者首先對於影響自身之鄉愁情緒、創作理念做整理，後續並以三位藝術家之藝術作品之風格與形式，探索自身創作之元素與手法，以及未來可能創作的方向。最後，以三個於筆者生活中對於「鄉愁」主題不同的討論視角，對於本次研究之創作作品做詳盡的分析。

This thesis is based on the author’s series of art works that explore the theme of" Home " and " Nostalgia " during the period from undergraduate to graduate school, and trying to sort out the context of the author’s creation using psychology, sociology, stylistic analysis, and try to create a new way to reinterpret this theme. The second chapter starts with sorting out the different concepts of the original English term “homesickness”, trying to clarify what author intends to discuss. Next, the author will explore the emotions of homesickness/Nostalgia in the author's art works from the perspective of a study about “complexes”, which is first coined by Carl Gustav Jung.Chapter 3 then, author analyzes favorite literature, paintings, and movies, discussing the relationship between homesickness/ Nostalgia/ Solastalgia and the aforementioned"complexes" issues discussed by Carl Gustav Jung, and its influence on the author's creation of the series of works "The Shape of Homesick ". In the fourth chapter, the author first sorts out the homesickness/ Nostalgia/ Solastalgia and creative ideas that affect herself, and then explores the elements and techniques of her own creation, as well as the possible future directions of creation by comparing the styles and forms of the art works of the three artists. Finally, from three different perspectives on the topic of"homesickness/ Nostalgia / Solastalgia " in the author's life, and she will make a detailed analysis of the works created in her graduate research.