影像媒體演進下的人物繪畫創作研究

Abstract

本論文首先探究影像媒體和數位科技如何深刻影響人物繪畫創作。從後印象派時期至今，尤其是在二十一世紀社群媒體的蓬勃發展下，人物畫的創作過程和藝術家的媒體傳播方式都經歷了顯著變革。除了媒體形式的演變，這些變革同時也觸及藝術與心靈的更深層交互。研究以潛意識心理分析為出發點，探索了在新媒體環境下，如何適應或改變繪畫中的元素和技巧。透過具體的實例解析，本研究更進一步揭示了藝術作品如何反映創作者和觀者的心靈狀態。本研究涵蓋了多個角度和主題，包括藝術史的發展脈絡、哲學和心理學的影響，以及具體的創作實例。本論文共有八個章節：第一章：「緒論」，概述研究動機與目的、研究範圍與架構；第二章：「西方人物畫發展概要與影像媒體的演進」，分析了從文藝復興到現代社群媒體時代，影像媒體如何影響西方人物畫的發展；第三章：「人物畫與心靈的哲學探討」，從哲學和心理學的角度，探討了藝術與心靈的相互影響；第四章：「人物繪畫創作理念、形式與自媒體應用」，聚焦於人物繪畫創作的視覺表現及在自媒體中的具體應用與影響；第五章：「人物繪畫創作作品解析」，透過作品解析不同生命階段的視角，深入探究了人物繪畫創作的多重面貌；第六章：「結論」，對全文進行總結。This study first explores how image media and digital technology profoundly impact portrait painting creation. From the post-Impressionist period to the present, especially with the flourishing development of social media in the 21st century, both the process of portrait painting creation and the artists' media communication methods have undergone significant changes. In addition to the evolution of media forms, these changes also touch upon a deeper interaction between art and the human psyche. Starting from the perspective of subconscious psychological analysis, the research explores how to adapt or change the elements and techniques in painting within the new media environment. Through concrete examples, this study further reveals how artworks reflect the mental states of both the creators and the viewers. The research covers multiple perspectives and themes, including the development context of art history, the influence of philosophy and psychology, as well as specific creative examples.This thesis consists of eight chapters: Chapter One:"Introduction," outlines the research motivation and objectives, research scope, and framework; Chapter Two: "Overview of Portrait Painting Development and Evolution of Image Media," analyzes how image media have influenced the development of portrait painting from the Renaissance to the modern era of social media; Chapter Three: "Philosophical Exploration of Portrait Painting and the Human Psyche," explores the mutual influence between art and the human psyche from philosophical and psychological perspectives; Chapter Four:"Concepts, Forms, and Self-Media Applications in Portrait Painting Creation," focuses on the visual expression of portrait painting creation and its specific applications and influences in self-media; Chapter Five: "Analysis of Portrait Painting Creation Works," delves into the multiple facets of portrait painting creation through the analysis of works from different stages of life; Chapter Six: "Conclusion," provides a summary of the entire thesis.