三千髮詩-王春燕人物圖像彩墨探討

dc.contributor林昌德zh_TW
dc.contributorLin, Chang-Deen_US
dc.contributor.author王春燕zh_TW
dc.contributor.authorWang, Chun-Yenen_US
dc.date.accessioned2020-12-10T05:17:05Z
dc.date.available2009-7-29
dc.date.available2020-12-10T05:17:05Z
dc.date.issued2009
dc.description.abstract中 文 摘 要 本研究為延續創作動力,透過生活的體驗激發人文特性,在時空的替換中,所呈現的各種面相。透析髮式與人身的關係,進而對它存在意義所產生的情感轉換,並從創作的實驗中瞭解人物的圖像印記,透過個人心理的抒發,尋找更多元性的創作方向讓「髮式」、「符號」、「風」形塑在這個創作主題上。醞釀創作之能源理出「三千髮詩」創作意涵。 探討古今社會階級人類以不同的髮型現象表現不同的身份地位,了解昔日髮式之重要與美感經驗,體悟髮絲之美的千情萬種,並分析女性心靈之內在思維與複雜情感層面,進行探索瞭解自己的內心世界。 「三千髮詩」,是指一種思維的寄託、精神意念的表達。觀察當代髮型的社會現象,如詩般浪漫。創作的動機從當下所處的心境及生活經驗,寓意到髮絲與風的互動中。呈現一股思維的美感,並找出自我的繪畫特點,期以自身出發,尋更多的契機與感動。 第一章陳述了我創作的動機、目的,以及自身經歷和社會背景等。第二章則探究古今中外髮式造型的來龍去脈、表現形式與相關文獻。第三章裡,談論女性思維與個人藝術創作的意念、內在思考的因素、創作歷程的剖析。第四章則為「三千髮詩」之創作理念與表現意涵。第五章創作實踐與作品解說。最後一章,總結整篇論述,並展望未來的創作思維與走向。zh_TW
dc.description.abstractAbstract The motivation for this research is to explore human characteristics of the way hair has been represented, in relation experience of life in Chinese paintings at different periods and in different places. Through discussion of the relationships between human subjects and their hair styles, I explore the feelings and transformed meanings of the reality in the paintings. Moreover, trying to make experimental paintings by myself, I find ever more possibilities and ways to express the human characteristic of “hair styles”, “symbols”, and “wind” in paintings. These are the reasons I discuss the painting “The Poem for 3,000 Hairs”. In discussion of hair styles in different social hierarchies now and then, I analyze the importance and aesthetic feelings about hair styles in the past; to explore the inner worlds and complicated feelings within women’s souls, and finally what is in my inner world as well. “The Poem for 3,000 Hairs” is a painting that expresses inner spiritual ideas about hair styles that existed in that time as a social phenomenon, and those inner spiritual ideas were rather like romantic poems. The motivation of this painting is to illustrate momentary mental states and life experiences through the meanings implied through inter-action between hair and wind. Chapter one states the motivation and purpose of this painting, and my own social experiences and background, etc. Chapter two explores the evolution of hair styles in a range of eras and places. Chapter three discusses the inner worlds within the female soul, the author’s ideas and thoughts, and the procession of painting. Chapter four explains the thoughts and implications of “The Poem for 3,000 Hairs”. Chapter five is the explanation of the process of creating this painting. The final chapter summarizes the statements made in this thesis and explores the directions of future developments.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierGN0695600306
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0695600306%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115337
dc.language中文
dc.subject三千zh_TW
dc.subjectzh_TW
dc.subjectzh_TW
dc.subject女性zh_TW
dc.subject人物圖像zh_TW
dc.subject3en_US
dc.subject000en_US
dc.subjectHairen_US
dc.subjectPoemen_US
dc.subjectWomenen_US
dc.subjectCharacters of Human Subjectsen_US
dc.title三千髮詩-王春燕人物圖像彩墨探討zh_TW
dc.title“The Poem for 3,000 Hairs”---A Discussion for the Characters of Human Subjects in Wang, Chun-Yen’s Chinese Colored Paintingsen_US

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