打粉的家─ 以幻想主題分析蘇打綠〈當我們一起走過〉演唱會建構的迷與認同

Abstract

本文藉由Bormann提出的幻想主題分析方法，針對蘇打綠於2012年在台北小巨蛋、高雄巨蛋的〈當我們一起走過〉兩場演唱會參與觀察，蘇打綠演唱會中歌者的表演、舞台的布景、影片的呈現與談話內容，以及展演後打粉們在網上的心得留言作為閱讀素材，分析蘇打綠樂團和參與演唱會的打粉們如何想像屬於打粉的「家」，形塑、建構「家」的圖像與自我價值，並共享彼此觀看世界的方式。

另外，針對蘇打綠樂團與打粉的獨特性，本文亦針對獨立、主流音樂及迷文化內容部分進行探討。面對市場的質疑，蘇打綠是如何鞏固己身「獨立樂團」的定義。而作為「迷」，打粉如何想像蘇打綠演唱會帶來的愉悅，並且將這份獲得的愉悅結合人生的經歷，建構認同價值。

研究結果發現，蘇打綠透過演唱會演繹生活周遭的多重面向，這些包含親情、自我等回憶的片段與行動主題元素，逐步梳理出人世關懷與肯定自我的幻想類型，最後建構出「追尋，幸福的微光」的語藝視野最終單元。I conducted participate observation in We Come Back Together, the two concerts of the band Sodagreen, held at Taipei Arena and Kaohsiung Arena in 2012, with Bormann's fantasy theme analysis as my method.

I took the performance of the band, stage setting, pre-recorded video, short talks given by the artists, and comments left by Soda-fans as materials for interpretation. I analyzed the way Sodagreen and Soda-fans imaging the "Home" of Soda-fans, how they shape and construct the image of "Home" and values of themselves, and how they share the way of seeing this world.

As to the singularities of Sodagreen and Soda-fans, I studied in scope of indie/mainstream music and fan cultures. Sodagreen has been questioned by the market, and I gave my discourse on how it consolidate the definition of "indie band" of its own version. On the other hand, I interpreted how Soda-fans imagine the pleasure of the band's concerts. They combined the pleasure and their lived-experience to construct the values of their identification.

I found that Sodagreen interpreted the many aspects of our lives via concerts. Pieces of memory, of familial affections, of selves, and thematic elements of actions, are the themes I found in Sodagreen's concerts. With these themes, I sorted out two types of fantasy, Care of the World and Self-affirmation. In the end, I constructed the final unit of rhetoric vision -- In Search of the Aura of Happiness.