異化映像:李書嫺水墨創作論述

dc.contributor孫翼華zh_TW
dc.contributorSun, Yi-Huaen_US
dc.contributor.author李書嫺zh_TW
dc.contributor.authorLee, Shu-Xianen_US
dc.date.accessioned2024-12-17T03:55:15Z
dc.date.available2024-06-21
dc.date.issued2024
dc.description.abstract在快節奏和虛擬化的當代社會中,每天都在虛擬世界和現實生活之間穿梭。這種轉變不僅影響了我們的生活方式,更深刻地改變了個體與社會之間的關係。本論文將聚焦於社會關係、心理連結和存在意義等議題於藝術創作中的應用探討。本創作研究包含五個章節,第一章闡述論文的動機和目的,包含研究內容、方法以及相關名詞的解釋。第二章為學理基礎,探討異化的概念,揭示現代社會在都市化發展中產生的種種現象,包含虛擬社交與心理距離。進一步透過鏡像理論和存在主義,分析個體與他人之間的關係。第三章著重於剖析筆者的創作手法,分為象徵、虛實意境、透明性三大面向。透過對國內外藝術家的創作圖像分析,揭示其象徵元素中的異化內涵,也探討水的象徵意境,以及透明材質和半透明性在創作中的運用。第四章剖析了以「異化之鏡」為主題的創作論述,筆者以創作為媒介探索異化關係中的存在意義,思索個體如何在探索屬於自己的心靈空間,反映個體與社會之間微妙的平衡,探討當代社會的異化。zh_TW
dc.description.abstractIn the fast-paced and virtualized contemporary society, individuals navigate daily between the virtual world and real-life experiences. This shift not only influences our lifestyles but also profoundly alters the dynamics between individuals and society. This paper focuses on the application of issues such as social relations, psychological connections, and existential meaning in artistic creation.The research study comprises five chapters. Chapter One elucidates the motivation and objectives of the thesis, encompassing the research content, methods, and explication of relevant terminology. Chapter Two serves as the theoretical foundation, exploring the concept of alienation and revealing various phenomena arising from urbanization in modern society, including virtual social interactions and psychological distancing. Additionally, through the lenses of mirror theory and existentialism, it analyzes the relationships between individuals and others. Chapter Three delves into the analysis of the author's artistic techniques, categorizing them into three dimensions: symbolism, virtual-real scenarios, and transparency. By examining the visual imagery of domestic and international artists, this chapter uncovers the alienation connotations within symbolic elements and explores the use of water as a symbol, as well as the application of transparent materials and translucency in artistic creation. Chapter Four dissects the creative discourse centered around the theme of the "Mirror of Alienation."The author utilizes artistic creation as a medium to explore the existential meaning within alienation relationships, contemplating how individuals navigate their own mental spaces. This chapter reflects on the delicate balance between the individual and society, probing into the alienation prevalent in contemporary society.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifier60960021T-45168
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/5d935e86cf1345ce964b7b4935296cb6/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/124043
dc.language中文
dc.subject鏡像zh_TW
dc.subject異化zh_TW
dc.subject象徵zh_TW
dc.subject透明zh_TW
dc.subject水墨創作zh_TW
dc.subjectMirror stageen_US
dc.subjectEntfremdungen_US
dc.subjectSymbolismen_US
dc.subjectTransparencyen_US
dc.subjectChinese ink painting creationen_US
dc.title異化映像:李書嫺水墨創作論述zh_TW
dc.titleReflective Imagery Of Entfremdung: A Discourse On Lee Shu-Xian's Art Worksen_US
dc.type學術論文

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