恍恍行之-吳冠德的藝術之道

Abstract

本論文以「恍恍行之」為題，主要闡述筆者在創作中所體會的一種無為、無我、無念、恍惚的精神狀態，並以此狀態呼應筆者對生命與自然的哲思。期望透過論文書寫回朔創作的心路歷程、思維路徑與創作概念，透過文字梳理平日所作的思考與領悟。 筆者在第一章中闡述「悟」的意義，探討甚麼是「道」，以及藝術創作與悟道的關係，並以創作為實證，思考如何以「悟」直觀本心，在悟道的過程中尋找創作原點。 第二章藉由「渡」引申出「引領」與「救贖」的涵義，透過創作，面對自我，潛入心靈的幽暗，探索生命本質。也將「渡」喻為身體、心靈、自然、天地之間的循環，吐納生命之氣與天地之氣，得到心靈解脫的歷程。 第三章探討每個創作當下，忘卻此身、明心見性、直取本心、脫離意識、物我兩忘的美妙歷程。 第四章中闡述如何在創作中將「身體動能」轉化為「心靈靜能」，以及筆者如何在自然中透過寫生深刻體會、實踐自然之道；如何讓藝術成為一種無止盡的修行。 論文最後，回顧研究歷程及對自己創作的省思與期許。In this thesis, which is named by"Indistinct" as the subject, mainly elaborated by the experience of the author when he was in the creation of doing nothing, without himself, no thought, and absentminded status , and this made the reflection for the author in the philosophizing of life and nature. By writing the thesis, he might remind the mentally process of creation, thinking trace and the creation concept during he was working on his atwork. Also, the thought and the comprehension in the daily life via the word expression.

The author has described the significance of “realize”in the first chapter, and discuss thaet what the "way ", is. And, search for the relationship between the art creation and the understanding the way“, By going through his creation as the evidence, he think about how to intuitive" the inner mind with “understanding“,finally, find the beginning point of the creation.

Chapter 2 is about by going through "transition " has made the extension of the meaning of "lead" and "salvation" , it means that to through the creation, we can face our self, go into the darkness side of our mind, and to explore the essence of the life . Also, transition " could be meant by body, mind, natural, and the internal and the external cycle in the world. By breathing the air in the life and the world, we are able to be in the relief status on both physical and mental part.

The main point of the third chapter is "forgotten", discussed every moment of the creation, we might have experiment the wonderful process in forgetting our self, seeing the truest part with our clear mind, being straight to take the original mind, being out of the conscious and out of the mind.

Chapter 4 is introduced that how to make the "body kinetic" turn into the " mind static ".And, how the author has experienced and practiced the rules of nature when he is painting from life. Eventually, he would make arts become an endless practice.

Finally, this thesis is the overall review for the author in which he has made various reflections and expectations during his creations.