「潮溼的記憶」- 複合媒材中的水性媒介創作研究
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2020
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從古至今藝術史多元的發展，藝術表現之創作媒材至今已千變萬化，數次 打破了過往的模式，讓各式媒材相互交織並用，表現出藝術形式的創新，讓歷 史的美學再次延伸新的可能，筆者以試著突破過往的水彩繪畫模式，藉由複合 媒材的特殊運用手法結合水彩創作，述說著屬於自己的故事。
本創作主題的選擇是因筆者遷移居所到城市念書，發現兩座城市都有著潮 溼的氣候狀態，到陌生的地方遇見熟悉的事物總會產稱特殊的情感，透過文獻 探討和相關作品分析，以及藉著這個創作研究，試圖將「記憶」中的影像附加 上一種「潮溼」感受，來表現潮溼在筆者眼中所帶來的美。
本論文撰寫的主要架構共分為五個章節，摘要如下:第一章緒論:說明本 創作研究動機與目的、研究方法及步驟和研究範圍以及名詞釋義。第二章創作 理論基礎:以筆者創作相關的文獻探討分析，共有三個小節，範圍包含:以心 理學的角度闡述個人與群體記憶的特質相關文本，以及描述濕氣與雨水的文學 家和藝術家作品分析，最後是對東西方藝術家對於複合媒材創作方式的演變。 第三章創作理念與技法媒材:分為三個小節來談論個人創作的歷程發展、形式 內容、系列脈絡等相互共通點，和創作媒材的選用及技法表現，而這裡會針對 兩個系列所使用的技法與實驗過程來進行詳細分析解說。第四章「潮溼的記 憶」作品賞析:談論筆者水性與火性兩個系列共 14 件作品的創作理念與個別解 析。第五章結論:將本次創作研究做出總論，整理未來需面對的課題以及對往 後創作研究之期待，並作為未來更精進自我的另一個開端。
With the diversified development of art history from ancient to modern times, the creative media of artistic expression have been changing significantly.It has broken the previous patterns several times, and made various media and materials interweaved with each other, showing the innovation of art forms and extending the aesthetics of the world to new possibilities. the author tries to break through the watercolor painting mode in the past and narrate own stories by combining watercolor creation with the special techniques of composite media materials. The background story of this creation is because the author moved to live in the city to study and found that both cities have a similar humid climate, creating a special emotion due to the familiar things found in the strange place. Through the literature discussion and the analysis of relevant works, as well as through the research of creations, the author tries to add a kind of "wet" feeling to the image in the "memory", and show the beauty in the author's eyes brought by the wet. The main structure of this paper is divided into five chapters. The summary is as follows:the first chapter is the introduction: it explains the motivation and purpose of the research, the research methods, the research scope and the definition of the terms. theoretical basis of creation in Chapter 2: discussion and analysis of the literature related to the author's creation, consisting of three sections, including:Psychological analysis of texts relating to the qualities of individual and group memory, and of works by writers and artists describing moisture and rain,Finally, it is the evolution of the creation methods of composite media by eastern and western artists. The creation ideas and techniques media in Chapter 3:divided to three sections to discuss the process development, form content, series context and other common points of individual creation, as well as the selection of creative media and the performance of techniques, the techniques and experimental process used in the two series are analyzed and explained in detail here.the fourth chapter "wet memory" works appreciation: talk about the author's two series of water and fire as a total fourteen works of the creation for ideas and individual analysis. Chapter five conclusion: make a summary of this creation research, sort out the issues that need to be faced in the future and the expectation of the future creation research, and take it as another beginning of the future self-improvement.
With the diversified development of art history from ancient to modern times, the creative media of artistic expression have been changing significantly.It has broken the previous patterns several times, and made various media and materials interweaved with each other, showing the innovation of art forms and extending the aesthetics of the world to new possibilities. the author tries to break through the watercolor painting mode in the past and narrate own stories by combining watercolor creation with the special techniques of composite media materials. The background story of this creation is because the author moved to live in the city to study and found that both cities have a similar humid climate, creating a special emotion due to the familiar things found in the strange place. Through the literature discussion and the analysis of relevant works, as well as through the research of creations, the author tries to add a kind of "wet" feeling to the image in the "memory", and show the beauty in the author's eyes brought by the wet. The main structure of this paper is divided into five chapters. The summary is as follows:the first chapter is the introduction: it explains the motivation and purpose of the research, the research methods, the research scope and the definition of the terms. theoretical basis of creation in Chapter 2: discussion and analysis of the literature related to the author's creation, consisting of three sections, including:Psychological analysis of texts relating to the qualities of individual and group memory, and of works by writers and artists describing moisture and rain,Finally, it is the evolution of the creation methods of composite media by eastern and western artists. The creation ideas and techniques media in Chapter 3:divided to three sections to discuss the process development, form content, series context and other common points of individual creation, as well as the selection of creative media and the performance of techniques, the techniques and experimental process used in the two series are analyzed and explained in detail here.the fourth chapter "wet memory" works appreciation: talk about the author's two series of water and fire as a total fourteen works of the creation for ideas and individual analysis. Chapter five conclusion: make a summary of this creation research, sort out the issues that need to be faced in the future and the expectation of the future creation research, and take it as another beginning of the future self-improvement.
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肌理, 記憶, 潮溼, 斑剝, Texture, Memory, Wet, Mottled