時空記憶-李蘭琴繪畫創作研究

Abstract

本篇論文以「時空記憶」作為創作研究之主題，探討筆者自身在面臨人生各種課題時，衍生的情感，以及隨著時空流逝、更迭，產生各種虛實不明的記憶與思維。記憶的不確定性，讓筆者對過往的時間、空間產生各種主觀的組合。記憶是什麼 ? 記憶的歷程與表現方式 ? 記憶在繪畫上的表現為何 ? 以此作為本文探討及創作的主軸和概念，運用油彩和複合媒材、以適切個別作品的創作形式和技法，實踐系列創作。並透過綜觀筆者自身過渡在具象與抽象、心象之間的繪畫歷程與成果 ，參酌關於記憶在學理、心理學上的文獻和論述；藝術史、藝術家之創作研究，文學、美學作品的啟發、學理依據與文獻探討等，架構出本篇論述。創作研究以筆者三個創作系列<虛・實-人與時空記憶>、<流動的軌跡>、<移動風景> 作探討，論文架構以五個章節敘述， 僅摘要以下: 第一章緒論 說明筆者創作的背景與歷程、創作研究的動機與目的，研究方法 、範圍、架構與名詞釋義。第二章 創作之學理基礎 : 探討概述記憶的形成與歷程 、記憶在繪畫上的表現，文獻閱讀後，將對筆者創作理念具影響之相關藝術與美學理論內化、連結筆者的具體創作，作為學理基礎與文字論述的依據，探討分析具象與抽象繪畫間的距離之創作觀點。折衷主義、抽象表現主義與筆者創作的關聯。第三章 創作理念、形式、媒材與技法分析: 闡述筆者對創作的觀點與理念，主要作品之理念、技法、媒材的運用與繪畫過程 。第四章 作品解析: 透過作品系列分析，表達筆者創作觀點與目的。第五章 結論: 藉檢視回顧繪畫的初衷、歷程和本篇創作研究的目的與成果，期許未來能更開闊創作思維與學理探討，繼續研究不同媒材特性與表現形式間的相互融合，在具象與抽象繪畫之間，發展各種可能。The subject of this studyis ''Space-Time Memory''. This subject penetrates the whole research painting collection, to discuss emotions of the author was confronted with multiple tasks in life. When the emotions elapse and change by time, alternative and imaginary memories and senses merge. The uncertainty of memory processes subjective combinations of passing time and spaces of the author. What is memory? What sort of method can present the process of memories? How can memories be presented on paintings? Regarding theseas the core and concept and using oil paintings and mixed materials works with proper form, creating skills to practice the creation series.By overviewing the author's painting processes and results that transit among concrete, abstract and mental imagery, referring the theories, documents and describing of Psychology of memory, History of Art, research of masterpieces of artists, Literature, insparations by works of aesthetics, bases of theories and literature reviews, and so on, to construct this study. The following summary consists of five chapters, according to the investigation of three series of author's creations, respectively named, Virtualityand Reality-Human and Temporal-Spatial Memory , Flowing Traces, Moving Scene,The first chapter, introduction, is to describe the author's creating background, motivation and purpose of research, research methods, construction of the study and glossary. The second chapter, theorical bases of creation, is to investigate and to describe the formation and the process of memory, and the presentation of memories on paintings. After reading the literatures, the author fuses the creating concept and the related theories of arts and aesthetics and connects it to the author's own collections, to provide the bases of theory and description of the study. Moreover, according to the bases, to analyze the viewpoint of the distance in concrete paintings and in abstract paintings, and the relation to collection of the author, eclecticism and abstract expressionism.The third chapter, analyses of creating concept, form of expression, materials and skills. To describe the author's concepts and opinions about creating, the concepts of main works, and the author's practice of skills and materials. The fourth chapter, analyses of main collection. To express the author's creating concepts and to claim the creating purpose. The fifth chapter, conclusion. By retrospect of the author's original intention of creating and the process, wishing in the future the author open the mind to create and make a breakthrough.