獨舞.敘勢—何淑貞水墨創作論述

dc.contributor莊連東zh_TW
dc.contributorChuang, Lien-Tungen_US
dc.contributor.author何淑貞zh_TW
dc.contributor.authorHo, Shu-Chenen_US
dc.date.accessioned2023-12-08T07:22:11Z
dc.date.available2022-08-16
dc.date.available2023-12-08T07:22:11Z
dc.date.issued2022
dc.description.abstract舞蹈是一種「時空藝術」,在節拍與韻律表現的動作,最重要的作用就是「力」,力量在活動創造了空間美,打破身體的界線,讓流暢的動作傳達了點、線、面的影像,舞蹈利用身體傳達了充滿幻想的空間,與繪畫的視覺裝飾性相同,有著線條、塊面的空間佈局。獨舞姿態的凝結空間表現在「表情藝術」 中產生了動態的感染力,實現了圖案在平面上無法達到的運動趨勢,就像任何藝術一樣,透過感知表現著人類的種種情感特徵,也就是「內在聲音」,它傳達了一種概念 (conception),是感情、情緒還有其他屬於主觀藝術經驗的形成和消逝的概念,也是對於生存經驗與內在感受的表徵。本研究分為六大部分:第一章緒論,內容為研究動機、研究內容與研究方法等。第二章自我觀想的身心關係,從生命觀注、身體自覺到意境的聯想。第三章從獨舞的生命動勢、舞蹈心理特質到視覺感染力的描寫。第四章創作與實踐,透過理念思維和形式技法說明。第五章作品解析,從整體創作到個別分析。第六章結論從回顧與展望來激發自我成長的方向。從《共存》、《存有.空間》《流放.泰詩》三個系列,由獨舞精神性出發,探討身體動勢與敘事的創作,總計完成37件作品,期許在創作實踐上有更多表現的存在價值。zh_TW
dc.description.abstractDance is a kind of"art of time and space". The most important role of movements in rhythm and rhythm is "force". Strength creates space beauty in activities, breaks the boundaries of the body, and allows smooth movements to convey points, lines and planes. The dancer uses the body to convey a space full of fantasy, which is the same as the visual decoration of painting, with a spatial layout of lines and blocks. The condensed space of the solo gesture has a dynamic appeal in the "Expression Art", realizing the movement trend that the pattern cannot achieve on the plane. Like any art, it expresses various human emotional characteristics through perception, that is," "Inner Voice", which conveys a conception of feelings, emotions, and other concepts of the formation and disappearance of subjective artistic experience, as well as a representation of living experience and inner feelings. This research is divided into six parts: Chapter 1 is introduction, the content is research motivation, research content and methods. Chapter 2 is about the relationship between mind and body in self-contemplation, from life contemplation, body consciousness to the association of artistic conception. Chapter 3 describes the life momentum of solo dance, the psychological characteristics of dance and the visual appeal. Chapter 4 is the creation and practice, which is explained through conceptual thinking and formal techniques. Chapter 5 is the analysis of works, from overall creation to individual analysis. Chapter 6 Conclusion From retrospect and outlook to stimulate the direction of self-growth.From "Coexistence" and "Existence. Space" "Exile. Poetry" start from the spirituality of solo dance and explore the creation of body dynamics and narrative. A total of 37 works have been completed, with a total size of 143 square feet. It is expected that there will be more existence value in the creative practice.en_US
dc.description.sponsorship美術學系美術創作碩士在職專班zh_TW
dc.identifier008603121-41912
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/f09d319a96be81e638d1c41f1fb67158/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/118791
dc.language中文
dc.subject獨舞zh_TW
dc.subject存有zh_TW
dc.subject水墨創作zh_TW
dc.subject動勢zh_TW
dc.subjectSolo Danceen_US
dc.subjectBeingen_US
dc.subjectInk Paintingen_US
dc.subjectMomenten_US
dc.title獨舞.敘勢—何淑貞水墨創作論述zh_TW
dc.titleArabesque Dancing-The Discourse on Ink Painting Artistic Creation by Shu-Chen Hoen_US
dc.typeetd

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