變動與延異–黃寶賢水墨創作論述

Abstract

現今的社會已進入全球化時代，人們運用網路可立即傳送訊息，地球就像一個地球村，資訊發達隨時都可掌握最新消息，人們隨著社會環境的改變不斷的在變動，水墨在當代的發展，也隨著科技及視訊的發達，形式及內容和各種媒材的應用更加寬廣，超越了傳統的筆墨規範。水墨當代主體性建構可以從舊有形式改革與創新，並與當前的生活環境融入，賦予新觀念。筆者在水墨藝術的創作，將物象的「虛」、「實」作一個探究，並結合空間場域，從平面跨越到三度或四度空間來呈現，擴張藝術宏觀視野與展現藝術內涵。本論文「變動與延異」分為六章，第一章緒論，談及當今時代的演變，造成人們思想的改變，在變動中找出水墨因應之道與方法。第二章變動與質變，從社會環境變遷及全球電腦化，探討環境與物象的流變，並從延異的觀念，探索新的對立與衝突開創新的語彙。第三章變異與現代空間，從穩定空間到異質空間到繪畫變異空間，探討當代水墨多異性的展現空間。第四章創作理論與實踐，筆者的創作理念與方法如異質混搭、跨域等做分析與引用圖片說明。第五章創作作品分析，分為延異空間重置、異質空間並置、鏡像他者錯置，將個別作品分析與說明，第六章結論，當前水墨創作已發展新的形式與風格，但重要的還必需將本土的特色表現出來，並結合當代社會環境與文化。筆者受到環境及社會型態的改變及影響，在創作上思索著如何在變動與延異中，將水墨的形式與內容轉變成新的語彙，並將變動與延異作為研究探討的方向，希望藉由筆者的作品帶給人們關注我們的生活環境及反思，這將是筆者創作論述本文的意義與期望。Today's society has entered the era of globalization. People can use the Internet to send messages immediately. The earth is like a global village, moving the whole body by one touch. People are constantly changing as the social environment changes. Ink and wash are changing with the time. With the development of technology and video communication, the application of form and content and various media for Ink and wash has become broader, surpassing the traditional pen and ink specifications. Thesubjective construction of contemporary ink painting can be reformed and innovated from the old form, merged with the current living environment and endowed with new concepts, and create a new pattern. In the creation of ink and wash art, the author explores the changes of"virtual" and "real" objects, combined with the space field, from the plane to the three- or four-dimensional space to present, expand the macro vision of art and show the connotation of art. This thesis "Change and Differentiation" is divided into six chapters. The first chapter talks about the changes in people's thinking caused by the evolution of the current era, and finds out the ways and methods of ink and wash to respond to the changes. Chapter Two: Change and Qualitative Change, from social environment migration and global computerization, to explore the changes of environment and objects, and from the concept of différance, to explore new oppositions and conflicts to create a new vocabulary. Chapter Three: Variation and Modern Space, from stable space to heterogeneous space to painting variation space, to explore the display space of contemporary ink painting diversity. The fourth chapter, creation theory and practice, analyzes and cites pictures to illustrate the author's creation ideas and methods, such as heterogeneous mix and match, cross-border, etc. The fifth chapter is the analysis of the creation works, and the individual works are described and explained with three major concepts. The three concepts are Differencing Space Reset,Juxtaposition of Hterogeneous Spaces,and Mirror–other Misplacement.The sixth chapter concludes that the current, Ink painting creation has developed new forms and styles, but it is important to express the local characteristicsand combine the contemporary social environment and culture.Affected by the changes and influences of the environment and social patterns, the author thinks about how to transform the form and content of ink and wash into a new vocabulary in the process of change and difference, and takes change and difference as the direction of research and discussion. Through the author's works to bring people's attention to our living environment and reflection, this will be the meaning and expectation of the author's creation and discussion of this article.