意象澎湖–李俊賢繪畫創作論述
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2020
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Abstract
本研究為「意象澎湖」的時光色彩概念作為主軸，來找尋筆者從小生活的澎湖裡每個時間、空間裡的「意象」。自小生活在澎湖，放假時期會到臺灣本島各縣市遊玩居住，但一直到大學求學時期才算離鄉。離鄉後對於澎湖週遭生活步調及自然環境的點點滴滴感到格外珍貴。
習慣用在家鄉的慢步調觀看這世界，用著不一樣的角度靜靜紀錄每個時刻。因此筆者將創作重點投向生活周圍可觸及的風景、人物，利用傳統古典技法概念導入畫作，並藉由研究印象派的色彩觀念和此時期的眾多畫家是如何詮釋每個不同時刻，希望能讓自己的藝術視野更加開闊以達到筆者期望達成之作品。
以此作為創作之作品亦期待能讓人感受到自我體會的空間色彩以及當下心境，讓觀者能在觀賞過程中一起進入作品表達的意境。其中包含了記憶的時光、連結回憶的物與景、海的各種樣貌、季節的表現，各種深埋在澎湖人基因裡的元素。
筆者在本研究中透過《記憶的根》、《浪潮》、《靜謐時光》這幾個系列來表現不同時刻中的獨特氛圍，藉此撫慰人們長久麻痺於大量聲光下的心。
The title of this study is the Imagery of Penghu. Which regards time as the pivot to search for the image of every time when I lived in Penghu in my children. When I was a little boy, I lived in Penghu. Although sometimes I had visited several counties and cities in Taiwan for the past few years, I didn’t leave Penghu until I went to university in Taiwan. After leaving Penghu, I cherish every detail of life paces and natural surroundings in Penghu. I am accustomed to viewing this world at the slow pace of my hometown with different angles of recording every moment tranquilly. Therefore, I emphasize my creative viewpoint on the scenes and people that can be mentioned and contacted. Besides, I also make use of the traditional and classical technique to paintings. By means of studying the color idea of Impression and how the painters interpretation the different stages of their own paintings during this time. I hope to broaden my own art horizons to live up to the expectations to the viewers of my works. Withthese mentioned above as my creative works, I also expect viewers to experience the spatial colors and my own current moods to let them enjoy the image of expressing the works. Among them, there is time of memory, which connects the retrospection of the variety of the people, landscape and seasons-every element immersed in the memory of the people in Penghu. Through those series of “The Root of the Memory”, “Waves”, “Tranquil Time” to present the unique atmosphere of different time, my works can comfort people’ hearts paralyzed by large quantities of sounds and lights for a long time.
The title of this study is the Imagery of Penghu. Which regards time as the pivot to search for the image of every time when I lived in Penghu in my children. When I was a little boy, I lived in Penghu. Although sometimes I had visited several counties and cities in Taiwan for the past few years, I didn’t leave Penghu until I went to university in Taiwan. After leaving Penghu, I cherish every detail of life paces and natural surroundings in Penghu. I am accustomed to viewing this world at the slow pace of my hometown with different angles of recording every moment tranquilly. Therefore, I emphasize my creative viewpoint on the scenes and people that can be mentioned and contacted. Besides, I also make use of the traditional and classical technique to paintings. By means of studying the color idea of Impression and how the painters interpretation the different stages of their own paintings during this time. I hope to broaden my own art horizons to live up to the expectations to the viewers of my works. Withthese mentioned above as my creative works, I also expect viewers to experience the spatial colors and my own current moods to let them enjoy the image of expressing the works. Among them, there is time of memory, which connects the retrospection of the variety of the people, landscape and seasons-every element immersed in the memory of the people in Penghu. Through those series of “The Root of the Memory”, “Waves”, “Tranquil Time” to present the unique atmosphere of different time, my works can comfort people’ hearts paralyzed by large quantities of sounds and lights for a long time.
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意象, 記憶, 時刻, 澎湖, 海, Imagery, Memory, Time, Penghu, Ocean