因緣時節：吳世英創作論述

Abstract

本論文主要探討「因緣時節」工筆畫作的內容與圖像部分。全文分為五章，加以敘述。第一章「緒論」，分為四節。論述本研究之動機與目的，研究方法與步驟。在某些因緣時節之下，透過意象、思維、構思而後產生系列性的作品之概略性說明。第二章「創作文獻與史料分析與探討」，分四部分。主要是敘述跟二十四節氣、花卉與導引系列、四季意象系列作品，其產生跟哪些資料有所關連，從古書、歷史與哲學思維，以及藝術界現象，來加以探討。第三章「創作理念與內容分析」，分四個部分。主要是探討作品創作的理念以及作品的內容與運用方法，還有圖像的象徵。最後說到創作的形式與技法，內容是重要的，結構與布局則靠善巧的技法。沒有好的意象引導，作不出好的作品。第四章「因緣時節主題分析」，主要包含創作兩主題。概述每一創作圖像的歷程、理念與形式等。最後是「結論」，藉由創作的過程中，透過形象思維產生意象，由「意志」到「具象」的實踐過程中，磨練自我的心性、思考性與技法。此外，期許創作上能更加增進。This thesis mainly discusses the motivation, concept and purpose of the painting, including two main parts: content and image series. The full text is divided into five chapters to describe.The first chapter, "Introduction," has four sections. It mainly narrates the 24 solar terms, flowers and guide series, and the four seasons imagery series, and discusses what materials are related to their production, from ancient books, historical and philosophical thinking, and art phenomena.

Chapter 2,"Analysis and Discussion of Creative Documents and Historical Materials". It mainly narrates the 24 solar terms, flowers and guide series, and the four seasons imagery series, and discusseswhat materials are related to their production, from ancient books, historical and philosophical thinking, and art phenomena. Chapter 3, "Creative Concept and Content Analysis", is divided into four parts. It mainly explores the concept of the creation of the work, the content and application of the work, and the symbolism of the image. Finally, when it comes to the form and technique of creation, the content is important, and the structure and layout rely on skillful techniques. Without good imagery, you can't make good works.

Chapter 4, "Theory and Artistic Expression of Creation," includes four parts. These mainly discuss the content of the work and the presentation of the work, as well as the dialogue between the image and the subject and the guest. Without the guidance of good images, good works cannot be produced. In addition, I hope that the creation can be further improved.