全景凝視下的赤裸山行者－簡佑任創作研究論述
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2013
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本研究以筆者創作為出發點，梳理與筆者創作相關的思想脈絡與藝術形式。現代人因人際關係複雜的運作與社會制度的蓬勃發展，使得人在現代社會框架下日漸疏離與異化(Alienation)，因此逃離社會變成了現代人可能的行動之一。在此論文題目中《全景凝視下的赤裸山行者》(A Naked Climber under the Panoptic Gaze)便概略地提及此論文的研究內容，「全景凝視」(Panoptic Gaze)一詞是結合傅科(Michel Foucault)「全景敞視監獄」(Panopticon)與「凝視」(gaze)兩者的概念－意義是無所不在的凝視之內化，而「赤裸山行者」(A Naked Climber)便暗示著馴服的身體(docile body)、逃離的行動與烏托邦(utopia)風景在機制凝視底下的意義。
本研究是以「洞」為媒介，引出「洞」的偷窺與凝視的意義，探討現代監視系統的氾濫，並以「全景凝視」(Panoptic Gaze)框架下的身體與自然間的互動經驗為主軸，研究與筆者相關之東西方「身體」、「風景」及「花鳥」的藝術形式與思想脈絡；「身體」主要探討歐陸古典主義中理性與規訓中的關係、女性主義中的他者身體位置和當代身體觀中破碎的主體；「風景」主要探討其東西方風景繪畫獨立前的角色、烏托邦的理想風景觀與政治上的地圖誌意義；「花鳥」則是研究中國花鳥符號中的象徵寓意，並予以重新解讀與轉化。而以上研究將於最後的章節彙整至筆者的創作論述中，整合並解釋筆者的創作方法與思想。
Based on the author’s work, this study aims to sort out the ideological context and art form related to the author’s creative work. Owing to the complexity of human relationships and vigorous development of social system, alienation is becoming more common under the modern social framework, thus to escape from society turns out to be one possible action among modern people. In this paper with the topic called A Naked Climber under the Panoptic Gaze, a summary of main thesis contents is included, the term “Panoptic Gaze” is comprised of two concepts such as “Panopticon” sited by Michel Foucault and “gaze”, meaning an internalization of an omnipresent gaze, and as for “A Naked Climber”, it implies a docile body, an escape, and Utopia landscape being gazed by a system. This study uses “hole” as a mediator to lead to meanings of peeping and gazing and explore the proliferation of video surveillance system, as well as to investigate the art form and ideological context of the East-West “body”, “landscape”, and “flowers and birds” related to the author on the basis of the interaction between body and nature under the frame of panoptic gaze; “body” mainly focuses on the relationship between European Neoclassical rationality and discipline, body positions of others according to feminist perspectives, and the broken subject in the contemporary theory of body; “landscape” mainly focuses on the role it used to play before the independence of East-West landscapes paintings took place, Utopian landscapes, and the significance of political map; “flowers and birds” focus on the symbolic meaning of Chinese symbols of flowers and birds, as well as offers re-interpretations and transformations accordingly. The author’s working methods and ideas will be integrated and explained based on the above-mentioned contents in the author’s creative discourse in the last chapter.
Based on the author’s work, this study aims to sort out the ideological context and art form related to the author’s creative work. Owing to the complexity of human relationships and vigorous development of social system, alienation is becoming more common under the modern social framework, thus to escape from society turns out to be one possible action among modern people. In this paper with the topic called A Naked Climber under the Panoptic Gaze, a summary of main thesis contents is included, the term “Panoptic Gaze” is comprised of two concepts such as “Panopticon” sited by Michel Foucault and “gaze”, meaning an internalization of an omnipresent gaze, and as for “A Naked Climber”, it implies a docile body, an escape, and Utopia landscape being gazed by a system. This study uses “hole” as a mediator to lead to meanings of peeping and gazing and explore the proliferation of video surveillance system, as well as to investigate the art form and ideological context of the East-West “body”, “landscape”, and “flowers and birds” related to the author on the basis of the interaction between body and nature under the frame of panoptic gaze; “body” mainly focuses on the relationship between European Neoclassical rationality and discipline, body positions of others according to feminist perspectives, and the broken subject in the contemporary theory of body; “landscape” mainly focuses on the role it used to play before the independence of East-West landscapes paintings took place, Utopian landscapes, and the significance of political map; “flowers and birds” focus on the symbolic meaning of Chinese symbols of flowers and birds, as well as offers re-interpretations and transformations accordingly. The author’s working methods and ideas will be integrated and explained based on the above-mentioned contents in the author’s creative discourse in the last chapter.
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異化, 全景敞視監獄, 凝視, 赤裸, 烏托邦, Alienation, Panopticon, Gaze, Naked, Utopia