愛情圖像應用於插畫之創作與研究
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2008
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Abstract
本創作研究旨在探討愛情文學的圖像，應用於插畫創作上的設計視覺風格，嘗試從文學的藝術心理角度，分析愛情在兩性之間轉移悲喜分離的情慾情感、與憧憬虛實的視覺設計的元素。
夲研究愛情的圖像設計創作，希望透過西方莎士比亞的愛情悲劇《羅密歐與茱麗葉》與中國明朝湯顯祖的《牡丹亭》崑戲曲；以及當代亞洲華人的愛情觀─以韓劇『我的野蠻女友』為例，探討揭啟示人類慾望的法則:分離(separation)，因分離開啟的距離與空缺反而使失落的愛情變得可感可知 ; 經過想像的催化、醞釀，空缺於是轉化成虛構的存有，本論文據此「分離形式」概念並探討如何以插畫抽象藝術語言來詮釋分離的愛情圖像的可能性，並進行其圖文研究與創作。
文獻探討裡面，分析愛情文學與圖像的視覺共同點，以及圖案設計與裝飾美學藝術特徵；並從中西方新藝術時期重要裝飾風格作品與當代具有人文素養的插畫家作品，歸納出實際創作意象與形式。透過設計策略分析創作主題、形式與技法，作品以「迷惘的愛情」為定位，發展愛情憧憬與幻滅的圖像為主要設計元素，採用平面設計的形式呈現。
結論中檢討作者的創作理念，以敘事設計的形式作研究創作，說明設計形式的限制與省思及對後續研究方向對人類生存經驗的議題上，思考用敘事手法用適切的媒材來表現創作品風格作一總結性的歸納，為未來創作方向持續研究課題。
The study is to explore love romantic literature images applied to visual aimed design of illustrations creation, trying from the art mentality of literary to analyze the seperated lust emotions of sadness and happiness betweem two sexes due to love shift, and to study the elements of visual design of vitual reality. In this study on love image design and creation, it adopted those instances such as the Western Shakespeare’s love tragedy “Romeo and Juliet”, the Chinese Min Dynasty’s Kuen traditidnal opera Tang Shean Tzun’s “Peony Pavilion” and the popular modern Korea drama “My wild girl friend” to explore the principle of human desires: Separation- the lost of love becomes to be sensorial owing to the distance and vacancy that opened by separation. Through image catalyzing and fermenting, the vacancy transforms to virtual existent. This study based on the separation concept to explore how to use illustration abstract art to interpret the possibility of the separation of love image, and to proceed the study and creation of those drawing and words of the illustrations. In the literature reviews exploring, it analyzed the love common points of literature and image, pattern designs and decoration esthetics art characteristcs. To induce realistic creation of imagery and formality, it was reprensted by those from, the new art period of the Chinese and the Western, the more important works of decoration with special styles and the illustrations of the painters who were filled with recent era literature and culture education. Through the design strategy of the exploring, this study analyzed the creation theme of formality and skill, and fixed position on the content of “lerplex love” to creat the main design elements with the images of the expection and loss of love, and then to present those subjects with design form.
The study is to explore love romantic literature images applied to visual aimed design of illustrations creation, trying from the art mentality of literary to analyze the seperated lust emotions of sadness and happiness betweem two sexes due to love shift, and to study the elements of visual design of vitual reality. In this study on love image design and creation, it adopted those instances such as the Western Shakespeare’s love tragedy “Romeo and Juliet”, the Chinese Min Dynasty’s Kuen traditidnal opera Tang Shean Tzun’s “Peony Pavilion” and the popular modern Korea drama “My wild girl friend” to explore the principle of human desires: Separation- the lost of love becomes to be sensorial owing to the distance and vacancy that opened by separation. Through image catalyzing and fermenting, the vacancy transforms to virtual existent. This study based on the separation concept to explore how to use illustration abstract art to interpret the possibility of the separation of love image, and to proceed the study and creation of those drawing and words of the illustrations. In the literature reviews exploring, it analyzed the love common points of literature and image, pattern designs and decoration esthetics art characteristcs. To induce realistic creation of imagery and formality, it was reprensted by those from, the new art period of the Chinese and the Western, the more important works of decoration with special styles and the illustrations of the painters who were filled with recent era literature and culture education. Through the design strategy of the exploring, this study analyzed the creation theme of formality and skill, and fixed position on the content of “lerplex love” to creat the main design elements with the images of the expection and loss of love, and then to present those subjects with design form.
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愛情, 插畫, 圖案設計, 裝飾美學, Separation love, illustration, pattern, designdecoration esthetics