城市‧覺察─賴士超觀看經驗表述與水墨創作思考

Abstract

本文內容主要在於研究「城市」與「覺察」之間的互動，在閱讀城市空間的物件中，結合許多歷史的碎片，以發展對於城市空間的關懷與省思。 第一章緒論。首先闡述筆者面對當今城市空間發展及變動的內容及形式所引發的創作動機與目的，說明創作相關內容、方法、研究範圍及限制。當今許多城市建築與建築師的對話，或是城市空間規劃的議題，成為筆者關注的焦點，也成為筆者對於創作虛擬城市空間文本的啟蒙。 第二章談論創作相關的藝術理論，以班雅明「閒逛者」的角度出發，作為本次論述的理論中心，先行探討城市多元的概念，延伸城市多孔性的觀看世界方式及連接穿透的特性，並整理相關理論對於城市觀看的陳述。 第三章則是利用外在觀看的理性思考和感性情緒的概念，延伸對於外在視覺營造的有序及無序的空間，並探討內心視覺對於城市空間意象的抽象思考。在視覺及內向思考的角度上探討關於城市空間創作經營的探討。 第四章與第五章分述筆者整體創作思維、意涵與作品形式及技法。藉著創作的自我實踐，表述閱讀歷史，覺察歷史，不論過去與現在，甚至是未來的意圖。 第六章將這一系列的創作後的省思及對於城市空間觀看的心得分享，藉此在這存在的過程中，留下些許的紀錄片段。 透過上列研究的探討過程，整理筆者自己內心創作情緒及空間營造的建構，在虛擬的城市空間中，抒發筆者對於心中世界的一種投射，試圖反映真實情境的一種解脫。The content of this article mainly studies the interaction between ‘city’ and ‘discovery’, by reading the objects in urban space, combining fragments of history, to develop the care and reflection for the urban space. Chapter 1 Introduction. First it describes the author’s motive and purpose of his creation inspired by today’s urban space development and alteration of content and format. The author further explains the content, methods, range of study, and limitation of his work. Many urban architectures and architects’ conversations or urban spatial planning issues nowadays have become the author’s point of concern. They also enlightened the author with regards to creating the context of virtual urban space. Chapter 2 discusses art theories related to the author’s creation, based on Walter Benjamin’s flâneur point of view, as the core of thesis, the author investigates the concepts of diverse city, extends the method of viewing the world for urban porosity which provides connectible and penetrable characteristics, and organize related theories regarding to city viewing. Chapter 3 provides the concepts of rational thinking and emotional feelings derived from external views. The author discusses the orderly and disorderly spaces constructed by external views, and further investigates the arbitrary thinking of urban space image based on inner views. Chapter 4 and 5 describes the author’s creative thinking, meaning, work pattern and technique in whole. Via the creation of self-practice, the author demonstrates historical awareness and perusal, regardless past and present, or even future intension. In chapter 6 the author shares the reflections of creation and urban space viewing, through the existence of process, leaves little record of fragment. The author manages his emotion of creation concept and the construction of space building by the study process. He tries to reflect the relief of real life by his expression from bottom of his heart in the virtual urban space.