境域轉換：東西繪畫創作之融合與再思考

Abstract

藝術是一種來自生活中任何微小力量的具體呈現，其本身就具有哲學因子，無須刻意尋找，因此，研究者企圖在看似平凡的表現中，試圖去尋找畫面中對生命的各種解釋。這也成為作者研究論文的首要動機與目的。 水墨畫中的留白在畫作中所呈現的「虛」、「實」、「有」、「無」的視覺效果與心理感受，是水墨畫作的一大特色，也是水墨畫的重要精隨。本文藉由水墨的留白用法、美學意涵和西方畫作中的空間感，進行對照，以便說明東西方對於空間與意境上的處理方法與美學觀。 本論文研究內容與範圍主要建構在以下三大部分：第一、西洋繪畫與水墨畫中有關越界與共通感的問題。第二部份、西方繪畫與水墨畫中有關形式問題的探討。第三部份，近年來創作主題論述—「境域轉換」與「心‧域‧轉換」作品分析。 在創作理念部分，本文將分析東西方藝術表現的相互影響關係與東西方理論對於這個議題的探討情景進行說明。這包括了中西方畫作因技法與美學觀的不同所呈現在線條與空間感的表現方式。其後將形式主義理論進行討論，並針對留白在水墨畫中的運用，進行文獻回顧與探討，以作為分析個人作品的創作理念基礎。 期望在延續西方的造形觀念的基礎下，融合中國空靈的傳統，冀望藉此擦撞出另一種新的創作火花。

Art is a possessing tiny powerful concrete image, which derives from common life, having philosophical meaning, which no need to search specially. Therefore, the author wondering throughout everyday images trying to find on the canvases explanation of sense of life. This point also become the theme and goal of author`s article. Blank, as a part of Chinese ink painting, reflects visual effects and subconsciousness understanding of illusion, reality, existence and non-existence, being peculiarity and kernel of pictorial technique. This article compares blank`s method and aesthetics meaning, with European concept of space and blank effects, used to belong to graphics, for explanation Eastern and Western methods of arrangement space and aesthetics view to Artistic Conception. The content and field of researching in this article divided into 3 parts: First, the question of “Beyond the Boundaries” and “Sensus Communins” in Western painting and Chinese ink painting. Second, cover the question of form in Western painting and Chinese ink painting. Third, analyzing works in regarding with recently appeared topic “Changing occupation”. Touching upon analyze of creativeness, this article underlines co-influence of Western-Eastern painting images and theory, explains the investigation scene of this theme. This article includes methods of expression into lines and space on canvas, based on difference between Eastern and Western painting technique skills and aesthetics views. Afterword, throughout Formalism making discussion, also, in accordance with Blank performing, make literary review and research, at the same time, points out basic of creative theory of personal works. I will to continue on the basis of western art forms conception, integrate the idea of emptiness in traditional Chinese ink painting. I hope to collide another kind of new creative spark.