繪畫中空間感知及其實踐：從日常景物到枯山水

Abstract

在視覺藝術史的範疇中，藝術家們藉由描繪日常景物，表現出不同空間的個人感知，以及個體歷程之內在生命。繪畫作為一種重要的媒介，乘載了傳達訊息功能。因此，一部繪畫史其實可視為一部人類探索空間的視覺史。然而，隨著社會與文化的變遷，人們透過不同視點，觀看角度亦隨之改變。筆者認為，圖像的理解與觀看的方式，不僅影響了創作者的心理狀態，同時也在藝術創作中扮演重要的推力。

本論文以繪畫中空間感知為主軸。透過繪畫、影像、照片、符號與文本等元素相連並用，本研究將藉著探索圖像與觀看方式的關係，試圖賦予豐富且深刻的見解討論。相對於此，就藝術特徵和空間現象與之連結的相關理論，及其獨特的書寫觀點，將於文中一併闡發。另外，於此其中亦進一步思索繪畫的本質與藝術家獨到的表現語彙。藉由符號與圖像之文本並置互為，希冀從視覺經驗、文化脈絡與物質記憶的繪畫空間當中，開展出一場多元對話。

身為一名創作者，筆者試著把這些思考轉化成自身的藝術實踐。依循這個過程，個人從日常生活當中發掘自然風景、窗框、花草動物的形象等意念；並且在此期間，進而將之轉為對枯山水獨特意境的感知與探索。這套日常景物的轉變歷程，也在我的創作裡成為關鍵重要的思索與省思。In the field of visual art history, artists express their personal perception of different spaces and their individual journey of inner life by depicting the scenery of daily life. Painting, as a significant medium, serves the function of carrying messages. Thus, a history of painting could, in fact, be seen as a visual history of spatial discovery. However, with the transition of society and culture, one’s perspective is changed through different points of view. The understanding of images and ways of seeing also impact the art maker’s mental state, and, in my opinion, play a compelling force in art making.

The main focus of this dissertation is on space perception in paintings. This study is intended to give insightful thoughts and arguments by exploring the connection between images and ways of seeing through the use of elements consistent in paintings, images, photos, signs, and text. In contrast, the art features and space phenomenon in related theories with their unique perspectives will be highlighted. In addition, the essence of painting and the unique expression of the artist will be considered. By combining the text of signs and images, multiple dialogues of the space of painting from visual experience, cultural contexts, and material memories develop.

As an art maker, I strive to transform these thoughts into my own art practice. Along the way, I discover natural scenery, window frames, images of flowers and animals in daily life while transferring thoughts of personal perception and exploration into the unique space of the Zen landscape. This journey also becomes an essential part of the thinking and reflection in my own art making.