李石樵一九六○年代作品之價值重構與「台灣現代繪畫運動」

Abstract

研究李石樵的學術論作相當短少與薄弱，使得大多數人對李石樵，包括其人其作都感到非常陌生。至於李石樵於一九六○年代投入長達十數年的「現代藝術(繪畫)」研究實驗作品，則僅有描述性文字而少有作品畫面分析，且台灣美術史籍中關於「台灣現代繪畫運動」之內容亦不見將李石樵列入討論。本論文主要是風格分析李石樵一九六○年代之「現代藝術(繪畫)」作品，重構其藝術美學價值，並述及與其同時之「台灣現代繪畫運動」，將李石樵納入「台灣現代繪畫運動」之中討論，以期台灣美術史因而更為完整。Less and rare academic researches about Shih-Chiau Lee, which resulted in few familiarity about himself and his works. In 1960’s, instead of picture analysis, only few word descriptions for experimental works of Modern Art(Paintings) that Lee devoted dozen years in. Besides, in history records of Taiwan art, Lee’s works weren’t included in “Taiwan Modern Painting Movement.” This thesis mainly emphasizes on style analysis of Lee’s modern art (painting) works to reconstruct the value of Lee’s art; moreover, mainly discusses over simultaneous “Taiwan Modern Painting Movement.” Eventually, subsume Lee into “Taiwan Modern Painting Movement” in expectation to complete the history of Taiwan art.