隱匿的邊界-女體迷思現象之水墨創作研究

dc.contributor莊連東zh_TW
dc.contributor.author陳宛資zh_TW
dc.contributor.authorCHEN, WAN-TZUen_US
dc.date.accessioned2020-12-10T05:49:29Z
dc.date.available2012-8-18
dc.date.available2020-12-10T05:49:29Z
dc.date.issued2012
dc.description.abstract本研究以當代女性身體迷思現象為對象,在當代環境下、水墨創作的多元可能性之中,進行現象的探究、藝術論述梳理以及水墨藝術在此議題下之創作表現。 研究先提出當代女體迷思中面對的各種現象,再針對現象進行分析,並從社會角度分析女性身體迷思-迷思現象的多方隱性霸權:男性凝視、美容美體工業之利益、社會穩定之功用。以及女性自身角度分析身體迷思,如:被外界拉扯與對身體的高度自主操控分析以及忽視身體自主權現象等。以此探究女體迷思現象的背後成因,和迷思與自身的關係、互動。 經過議題的分析,本文將繼續探究迷思現象與藝術表現之關係。談論女性身體在藝術表現上的功用、各種意象,如:女性意象是柔弱的、是慾望的象徵、被觀看、被壓迫、是象徵意義的載體等。接著將迷思現象帶入,探究在女體迷思形成的多重可能下,女體迷思現象在藝術語彙上表達的可能性,如:不確定、模糊曖昧、私密化,以及女體迷思在視覺上的形象表述。並以此為根據,提出幾位藝術家作為系譜的梳理,創作的理論基礎。 經過上述的理論探究,再轉入筆者創作理論之建構;從迷思在主體的生長造成的表象變形,到迷思與自我間的權力角逐場域,所造成的覆蓋現象、模糊的意象。並由此分析、探討此系列創作作品之方法與意涵,梳理創作模式,在此研究之中,發展出創作更多的可能性。zh_TW
dc.description.abstractThe theme of this study is the phenomenon of the myth in the contemporary female body. In the contemporary environment, the ink painting has more possibilities in the ways of creation. This study is going to discuss the possibility of using ink painting to describe the myth phenomenon, and comb the art theories of myth phenomenon in ink painting. The study proposes various phenomena in the myth of the contemporary female body. And then it analyzes for the phenomenon from a social point. That refers to multi-recessive Hegemony: the male gaze, the beauty industry, social stable function. Then, it talks about the body myths from women's own point, such as: outside manipulation of the body, and neglecting the autonomy of the body. By the above discussion, it explored the causes of the myth phenomenon of female body, and the interaction field between myth and oneself. After analysis of the issues, this article continues to explore the artistic expression on the theme of myth phenomenon. First, it talks about the function and the variety of images of the female body in artistic expression, such as: the image of female is weak, oppressed, and it is the symbol of the desire, the carrier of symbolic meaning. Then, it probes the possible artistic vocabularies of the myth phenomenon, such as: uncertain, vague, ambiguous, privacy. It referred to the visual representation of the female body image in myth phenomenon. After discussing that, it proposed several artists as the pedigree that is the theoretical basis of this creation. Through discussing the above theories and constructing creation theory of the author, it referred to the blurred and uncertain competing field which is caused by the seesaw battle of myth and oneself. Then, the author tried several ways to put the myth field into practical creations by ink painting. Based on the study which is about myth phenomenon, the author hopes to develop more possibilities of ink painting creation on this study topic in the future.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierGN0698600149
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0698600149%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115493
dc.language中文
dc.subject水墨創作zh_TW
dc.subject迷思zh_TW
dc.subject女性zh_TW
dc.subject身體zh_TW
dc.subjectink painting creationen_US
dc.subjectmythen_US
dc.subjectfemaleen_US
dc.subjectbodyen_US
dc.title隱匿的邊界-女體迷思現象之水墨創作研究zh_TW
dc.titleThe concealed borderline-The myth of female body in creation of ink paintingen_US

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