客家藝師徐木珍研究

Abstract

本論文以第六屆「全球中華文化藝術薪傳獎」客家藝師徐木珍先生為研究對象，徐木珍雖自幼雙眼失明，但在客家音樂上的成就是不容小覷的，除了能拉能唱能打之外，在歌樂演唱亦或是器樂演奏的即興功力更是不在話下，筆者透過徐木珍所出版較具代表性的有聲資料《東山再起》、《弦詩》、《獨白》中演唱(奏)的【老山歌】、【山歌子】、【平板】及筆者與徐木珍學琴時所學之【小調】與其他曲目，加以採譜並作深入探討與分析，目的在於將徐木珍的音樂有樂譜流傳，以及讓大眾瞭解其音樂內涵。 本論文共分四章來論述，第一章主要針對目前台灣客家音樂保存現況來論述，以政府機構的保存工作、大學研究所的相關調查保存、藝人與樂團技藝的活傳統保存及影音資料保存成果四方面來觀之；第二章對徐木珍個人生平做詳細的介紹，將徐木珍的身世背景、習得曲目、保存文物、教學方式及出版品作完整的敘述；第三章及第四章將徐木珍所演唱的【老山歌】、【山歌子】、【平板】以及筆者向徐木珍所學習之【小調】和其他樂曲加以採譜並作演唱及演奏上的分析；結論歸納統整徐木珍在客家音樂演唱與演奏之藝術特點，進而瞭解徐木珍在客家音樂上的風格與特色。

The study targeted at the winner the 6th Global Chinese Culture& Arts Award, the Taiwanese Hakka folk artist, Mu-Chen Hsu. Though illness left Hsu blind at his early age, his talent for Hakka music and achievement are remarkable. Not only can he sing songs and play Hakka instruments, but He has the ability of singing or playing impromptu. Through transcribing and further analyzing the most representative pieces like Mountain song, Shan-ge-zi and Ping-ban from Hsu’s published audio data “The Comeback,”“Poem of Strings,””Monologue,” and what the author has learned from Hsu himself like Xiao-tiao, the purpose of the study is to promote Mu-Chen Hsu’s music through concrete scores and help Hsu’s music understood. The study consists of four chapters. The first chapter is to discuss the current state of the preservation of Taiwan Hakka music from the following four dimensions: the government apparatus, academic institutions, artists as well as performing organizations and audio-visual data. In the second chapter, it’s a detailed introduction of Mu-Chen Hsu concerning his background, repertories, teaching methods and publishes. Next, the third and fourth chapters are transcriptions and analyses of Hsu’s Mountain song, Shan-ge-zi and Ping-ban and what the author has learned from Hsu like Xiao-tiao. Last but not least, the end of the study will conclude the artistic traits of Hsu’s way of singing and performing, and lead to a full-scale comprehension of Hsu’s musical style and characteristics of his Hakka music.