船的國度-水彩繪畫的創作研究

Abstract

摘要

繪畫記錄的圖像史獻早於文字記載的出現，不僅是人類的本能，更未曾因語言、文字、種族等等外在因素的差別，而隔閡了觀看者去感受、接收創作者的靈感謬思。對於身為繪畫創作者而言，對圖像的敏感性，去思索畫面用色配置，繪畫層的堆疊經過，再至創作者的筆觸情緒傳遞，皆是圖像繪畫創作者修煉養成過程中，必須經過扎實的訓練，才能精準地利用畫作去表達以作為個人語彙。 本研究除了討論船景繪畫創作圖像中色彩、大氣氛圍的表現，將更進一步的探研於水彩繪畫中作者如何「借景寄情」，如何於作品中隱晦的寄託關於創作者個人主觀的情感脈動。本文共分六章，第一章為「緒論」，說明本創作研究題材的選擇和媒材選擇之動機、目的，再敘述研究範圍及方法。第二章為「學理基礎與文獻資料探討」，以色彩學觀念探究歷代西洋美術史與近現代的船景畫家作品中所欲表達的內涵。第三章為「創作理念」，進一步分析筆者船景繪畫作品裡的意向與心境關係關係的連結，探討畫作背後的情感思想，藉以深入了解環境、社會背景對於藝術家創作所產生的面貌影響。第四章為「創作內容、形式、技法與媒材」，介紹筆者在《船的國度》系列作品的創作內容、形式、技法與媒材。第五章為「作品解說」，該章節以整個系列創作的角度說明作品中的創作理念與想法，分別陳述每件作品之故事背景，再逐一分析每件作品之構圖、色彩和技巧。第六章為「結論」，對本階段的研究作一總結與心得感想與未來展望。Abstract

The image recording appears earlier than the word. Because the people’s visual instinct, there is no gap between the viewers and the artist while seeing the inspiration from the work, even though people have different languages, words, races. It is important for the artist to learn the sensibility of images, the consideration of colour, the way to use the layers of painting, and especially the his brush work from feelings, so the artist can find his authentic language to the painting. This study demonstrates the expression of colour, air atmosphere in the ship painting, and then states the way that the artist use the scene to express his emotion, as well as the way that the artist obscurely to give the work his own memory. There are six chapters in this study. The first one is “introduction”, which explains the purpose of the choice to the theme and medium the artist uses for his works. The second one is “the foundation of theory and the exploration of reference”, which demonstrates how the western traditional and contemporary artists to use colour to express the meaning in their works. The third one is “ the idea of the work”, which analyse the connection between the author’s painting and his inner world. The author stresses the emotion and thinking behind his works, and explores further the consequence that the environment and society have significant impact on the artist’s work. The forth is “the meaning, form, skill and medium in the work”, which introduces the way how the artist use meaning, form, skill and medium in his work. The fifth is “the demonstration for the work, which explores the works in a whole view, and points out the background of every work, as well as the construction of image, colour and skill. The sixth is “conclusion, which summarise the review and the consideration to the future.